This means mirrorless cameras have smaller lenses and can use all kinds of cheap older rangefinder lenses. People seem to think “SLR” means “film camera” though and don’t know that rangefinders exist.
https://www.kenrockwell.com/tech/rangefinder-vs-slr.htm
Sony sells wide angle "pancake" lenses that beat the ones for SLRs at compactness:
https://www.backscatter.com/Sony-E-20mm-f-2.8-Pancake-Lens
https://www.bhphotovideo.com/c/product/12082-USA/Canon_2509A...
Though there's some small SLR lenses too, I think they distort more or it takes longer to figure out the optics - not an expert there.
I will also note that pancake lenses have been around since the sixties and I believe that there were pancake lenses compatible with DSLR lens mounts.
Suffice it to say I'm not sure I can say I am convinced DSLR optics are disadvantageous vs. mirrorless optics. I wish Ken would cite some sources because on Google his claim is the first and only relevant one document that turns up for a few pages.
I guess the big difference between a guitar and a camera is that a guitar is performative. The guitar and its looks itself are part of the output, along with the sound it produces. Nobody looks at a photographer the same way, we tend to care about their output only.
Personally, I don't find camera design to be boring, ugly or outdated in any sense. In fact, there's few products I can think of that are this well designed. The current layout and ergonomics are battle-tested across a timeline of about a full century.
DSLRs are actually fatter than film SLRs because in a film SLR only the film plate and back are behind the focal plane, which are thin (~3-5mm), while DSLRs stack the sensor board, main board, display etc. behind the focal plane, so they got 15+ mm behind the focal plane. Mirrorless cameras with IBIS tend to increase the back-to-focal-plane distance further due to more involved cooling and IBIS.
I guess the bigger surprise to me is that there wasn’t anything newly extraneous or improvable as a result of the transition.
Electric guitars come to mind, they are largely the same except in two regards:
The body is much shallower. This of course is due to no longer needing a soundbox. But further, it’s because a shallow body brings the strings closer to the player and puts the arm in a more comfortable position. The large deep soundbox not only became extraneous after the transition, it was also always a bit of an unavoidable hindrance in the first place.
The body shape changed as well. This was due to aesthetic freedom as a result of not needing a soundbox.
Cameras, on the other hand, could of course change the aesthetic for fun, but I guess there is no need for in-the-moment showmanship when it comes to camerawork and camera aficionados just don’t care for flash? ;) And maybe any change would just get in the way (though arguably some guitar shapes are inconvenient as well yet nonetheless desirable to some).
In the end, I guess the physical limitations of the camera either are still present (like large telescopic lenses) or had already been condensed into a small enough size that they no longer hindered better ergonomics