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Re:All sound recordings prior to 1923 will enter the US publ... by A4ET8a8uTh0 on Tuesday December 07, 2021 @10:32AM (#29473492)
Maybe 10 years. We are moving at breakneck speed in just about every corner, but copyright protections. A decade is forever in today's world.
Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @10:46AM (#29473707)
Is 10 years enough protection for the source code of a startup? Sometimes it takes longer than that to break even…

All law moves slowly. The law is supposed to move slowly, that’s (mostly) a feature, not a bug. You don’t want the existing laws to change every year, driving would be more of a nightmare than it already is.

Copyright was originally about protecting a creator’s ability to make some money from their works. Despite the fact it was extended in part to help Disney make money forever, we should still have some protection for artists and small businesses, right? We don’t want to shorten the copyright term just because NPM has a lot of churn, do we? That doesn’t seem like a good reason.

Re:All sound recordings prior to 1923 will enter the US publ... by skywal_l on Tuesday December 07, 2021 @11:11AM (#29474165)
It took 7 months for the Sonny Bono Act (of Sonny and Cher and at the time congressman) to extends the copyright from 50 to 70 years. I would call it pretty fast when you think it took several years for congress to vote the last "infrastructure" law (remember 2017's infrastructure week?).

By the way, that law was sponsored by Mary Bono, Sonny Bono's widow (Sonny Bono died during that year) and also congresswoman.

All this is a neat little circle of people voting laws for their own benefits. This has nothing to do with artists or small businesses.

I think it is fair to say that once the original author of the work is dead, the copyright should go with it. And if a corporation buy the copyright, then they should be able to recoup their investment in a timely manner and 10 years is not that huge with all the means of electronic distribution we have today.

Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @11:38AM (#29474619)
> they they should be able to recoup their investment in a timely manner and 10 years is not that huge with all the means of electronic distribution we have today.

It’s neither fair nor accurate to point at the speed distribution as an indicator of the speed of building a viable business. It’s a fact that it’s common for a business to need a decade to build it’s business pipeline before the business is viable and fully supporting its employees. Don’t forget this system needs to support small businesses and not just megacorps.

From the perspective of law, and of copyright specifically, it’s also a mistake to assume that all business can move at the pace of electronically distributed software. Physical hardware goods frequently take more than a year to design, manufacture, and stock prior to distribution. Today we can add in an extra year of COVID related delays for the ordering and distributing pipeline … how many things are on insane back order delay as we speak? Copyright needs to be long enough that things like today’s situation don’t prevent a business from even starting to recoup, right?

> I would call it pretty fast when you think it took several years for congress to vote the last “infrastructure law”

The point I was making is that law moves slower than tech. You would agree that infrastructure funding happens on a glacial pace compared to what’s hot on GitHub or what new ideas are being incorporated into neural network training, right? It’s fine to think of a few years being “fast”, but that’s a subjective opinion that isn’t relative to something specific. I was trying to make a comparison between law and the things presumably parent was calling “breakneck speed”, which is clearly referring to things that move faster than law.

I also mentioned “existing” laws for a specific reason - new laws can and sometimes do come up quickly. But laws we need to know in order to comply with need to be mostly stable. And by and large, most of our law doesn’t change every year, we have small nips and tucks mostly in places that don’t affect the majority of the population.

Re:All sound recordings prior to 1923 will enter the US publ... by skywal_l on Tuesday December 07, 2021 @11:47AM (#29474795)
> From the perspective and of copyright specifically, it’s also a mistake to assume that all business can move at the pace of electronically distributed software

I think you are confusing copyrights with patents or trademarks. Copyright do not protect physical hardware or goods.

As far as I know, almost all copyrightable works can be transferred electronically. After all, we are talking about the right to copy (and distribute) a work (make more of them to sell it). Goods that cannot be copied are not copyrightable.

Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @12:44PM (#29475716)
> Copyright do not protect physical hardware or goods. […] almost all copyrightable works can be transferred electronically

Don’t conflate “can be” with “are”. Copyrights absolutely protect books and posters and phonograph records; physical goods is how the law originated, and physical copies is a big part of what the law’s language still protects to this day. There are big problems with copyright law because it hasn’t yet been adequately adapted to the invention of the internet.

There is plenty of overlap when it comes to the business of physical goods. Copyrights do protect parts of the designs of many physical goods, and the sources and driver software of computer hardware, for example. Copyrights also protect marketing and advertising material and many other parts of a fledgling business.

What are we discussing at this point? I agree with you that copyright should probably end with the author (though I would say there should be a minimum term, to account for the many reasonable possible scenarios like being part of a business, accidental death, old age, etc., etc.). I don’t think 10 years is enough, and I don’t think that tech moving quickly is a valid reason to shorten copyright. There are valid reasons to shorten copyright, so we should discuss those instead.

Re:All sound recordings prior to 1923 will enter the US publ... by criddell on Tuesday December 07, 2021 @10:56AM (#29473879)
But think of all the businesses that might be built on the work of the original business that never took off. What we are trying to maximize is overall benefit to society, so we grant a monopoly to a creator for a limited term to incentivize new work.

Ten years may or may not be too short. How often does ten year old software make the difference for a company taking off this year?

Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @11:15AM (#29474215)
> we grant a monopoly to a creator for a limited term to incentivize new work

That’s a nice goal, but not entirely accurate. Copyright is intended to protect individual works of authorship, and allow the author to leverage their work, even when they only produce a single work.

> How often does ten year old software make the difference for a company taking off this year?

It happens all the time in software companies! The early software foundation of a company is often integral to where it is when it starts making money. It’s common for the core ideas and algorithms to sit around for many years while the company is building marketing and payment and integrations and customer support and waiting for business to catch on. Sometimes companies wait on their patents to be granted before even starting to try to monetize some software, and it can take a couple of years just to get the patent.

From a copyright perspective, it’s important to understand and recognize that business, like law, often moves very slowly. While I’m firmly in agreement that 99 years is too long, I also think 10 years is too short. And to reiterate: the term length shouldn’t be set because tech moves fast, it should be set by considering what’s long enough to recoup an investment and when it’s fair for the copiers to come take your work and use it for their own financial gains.

Re:All sound recordings prior to 1923 will enter the US publ... by criddell on Tuesday December 07, 2021 @11:48AM (#29474803)
> That’s a nice goal, but not entirely accurate.

I based my statement on https://copyrightalliance.org/education/copyright-law-explai...

> it should be set by considering what’s long enough to recoup an investment and when it’s fair for the copiers to come take your work and use it for their own financial gains

I don't think we disagree really. I said the goal was to maximize overall benefit to society and I think you did too. Nobody will know if 10 years is too short until the issue is studied.

Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @12:38PM (#29475629)
> Nobody will know if 10 years is too short until the issue is studied.

I disagree. Plenty of people already know 10 years is too short, and it doesn’t take a study to show it. Lots of businesses take longer than that to get established, even the very fastest-moving fastest-distributing businesses like software startups.

Re:All sound recordings prior to 1923 will enter the US publ... by criddell on Tuesday December 07, 2021 @01:18PM (#29476142)
It might be bad for you if code you wrote ten years ago is no longer protected by copyright, but what about society in general? Maybe five new start ups can take that old software and build something better than you were able to. Would that disincentivize creators? Maybe. Would the copyright expiration make a thousand flowers bloom? That's what would need to be studied. What the net benefit or harm is, isn't obvious.
Re:All sound recordings prior to 1923 will enter the US publ... by dahart on Tuesday December 07, 2021 @01:45PM (#29476530)
True, this is a valid point. I’m under the impression that it has been studied, though I don’t have a source off the top of my head. It’s definitely been debated vigorously and often.

Anyway, keep in mind that this net benefit needs to incentivize people to get over the static friction of starting in the first place. We don’t want to make a point of handing content and ideas over to incremental producers because that will disincentivize people from trying in the first place.

Also important is that part of the net benefit to society is a trickle-down argument that we need to reward the authors first in order for society to reap the net benefit. The point is not to encourage business at the fastest possible speed be letting people borrow the ideas and inventions and content of others, the point is to protect the people who do the actual original work for a reasonable period of time, and to allow for the fact that they might be less good at business than someone who’s only reselling content.

Might be worth stating that study the economics of social net benefits is incredibly difficult, and can take a very, very long time, longer than you and I have left. The environment is a great example of how we’ve made disastrous business choices that were rationalized by “social benefit”, but turned out to be wrong.

Re:All sound recordings prior to 1923 will enter the US publ... by vineyardmike on Tuesday December 07, 2021 @06:32PM (#29479543)
> Is 10 years enough protection for the source code of a startup?

How many startups today make their money by sharing actual source code and not cloud services? Unless its AGPL then you need not know the source for most services anyways.

Re:All sound recordings prior to 1923 will enter the US publ... by sovnade on Tuesday December 07, 2021 @10:34AM (#29473514)
But there's plenty of things made 10 years ago that are still very relevant and still generating money for the creators. I think that's the concern.
Re:All sound recordings prior to 1923 will enter the US publ... by mattl on Tuesday December 07, 2021 @10:37AM (#29473561)
Yeah. New Order are still making good money from Blue Monday from 1983, and clearly there’s a lot of interest in The Beatles still.

Maybe a shorter period of time with an option to extend it like a snooze feature on an alarm clock.

Re:All sound recordings prior to 1923 will enter the US publ... by vmception on Tuesday December 07, 2021 @10:44AM (#29473658)
The option to extend it being priced by the royalties collected and requiring substantial accounting of such.

Patents, for example, have maintenance fees that are quite high. So even that 20 year length is not really automatic and guaranteed, while already seen as problematically long to many.

Re:All sound recordings prior to 1923 will enter the US publ... by mnsc on Tuesday December 07, 2021 @10:43AM (#29473651)
But does having a work enter public domain automatically mean that eg New Order will stop getting paid for streams via legitimate services like Spotify?
Re:All sound recordings prior to 1923 will enter the US publ... by criddell on Tuesday December 07, 2021 @10:57AM (#29473900)
Why would Spotify pay anybody for playing a public domain song?
Re:All sound recordings prior to 1923 will enter the US publ... by mattl on Tuesday December 07, 2021 @06:06PM (#29479319)
Presumably if they want to have access to the non-PD stuff they’d have to figure out something.
Re:All sound recordings prior to 1923 will enter the US publ... by mnsc on Tuesday December 07, 2021 @11:13AM (#29474202)
Good point! :D
Re:All sound recordings prior to 1923 will enter the US publ... by mattl on Tuesday December 07, 2021 @10:53AM (#29473832)
That’s something that’s probably not been figured out yet. Probably won’t be figured out until popular stuff from the 50s and 60s starts hitting PD.