>You can come up with the best story you have but if I as an audio engineer create a mix where you can't legibly hear dialogue you'd walk out of the theater in anger.

But we're talking about basic competency now, not what makes a movie the very best it can be.

> If the cinematographer has constant camera shakes in every shot - even a dialogue scene - then also you can salvage the movie.

I wonder if you had Paul Greengrass movies in mind