My point is that we genuinely do our best to help artists. We're good people. If you want your band's presence taken down, you're entitled to have that done for you. You can also leave your music up so millions of users can discover it and find out more about who you are. We have tens of thousands of individual artists managing their own music and we get tons of fan mail from artists who say that our platform has not only decreased piracy but has actually encouraged fans to buy more of their music and see their shows.
The fact still remains that Grooveshark as it is wouldn't exist if not for the many years it's had to benefit from free use of mainstream content. That's not what DMCA was created for. It was created to protect people who mostly have UGC and occasionally have their terms violated. If Grooveshark was one of those companies, they would look more like Unsigned.com right now.
The music industry's legal system is complex. We all know that. Other companies are navigating that complexity in much more difficult ways, being much more honest to the spirit of the law. Grooveshark takes advantage of the laws and operates a service that has only one foot in legality. Of course it would be easy to build a business that way and then get the praises of those companies you forge relationships with _after_ your audience and platform is already valuable. But there is more to be said for a company that takes the hard road and does the same. I think Pandora has had a miserable time of it, but at least they did it right.
I didn't say you've had it easy. I said you built your company on the backs of artists' content without paying them. So, each employee went a few months without pay. Most of the artists playing on Grooveshark went (and are still going) much longer.
This isn't to excuse Grooveshark (honestly, not a user, so I have no horse in this race), but attracting the ire of the RIAA/MPAA in and of itself doesn't mean much except that you've gotten some big dogs pissed off at you.
If you really did a good job of making sure the music that was uploaded wasn't copyrighted, you wouldn't have a business because nobody would be looking for that music. The period between illegal mainstream content going up, and that content coming down, is just long enough for Grooveshark to have a competitive cost advantage over companies who properly license their material from day one.
If the tactics aren't at least "questionable", then why has Universal declared "legal jihad" on Grooveshark?
P.S. My band's music is on your site. I didn't put it there and neither did anybody else with proper authority to do so.