"Absolutely direct experience of the will is impossible, because it will always be mediated by time, but in first-personal experience of volition and the experience of music the thing in itself is no longer veiled by our other forms of cognitive conditioning."
When you plot triads like this, you immediately see that the more harmonic a chord is, the visually simpler its graph is. This is unsurprising to anyone who knows the basics of the math behind music (simple ratios = harmonic, complex ratios = dissonant), but it's striking to actually see it drawn out like that.
I definitely would not say music is one-dimensional. Whether you're considering the interplay between intervals, the movement and manipulation of various emotions and motifs in a piece, or whatever, maybe the thing that strikes me most about music relative to other media is its arbitrary dimensionality.
https://plato.stanford.edu/entries/schopenhauer-aesthetics/#...
Also just as a side note, be skeptical when reading about Nietzsche’s Will to Power idea. While he did mention it in his actual published works, much of the idea comes from his posthumous Will to Power collection of notebooks which was put together and published by somewhat nefarious actors.
https://en.m.wikipedia.org/wiki/The_Will_to_Power_(manuscrip...