News for hackers. Stuff that matters.
Re:Why are modern 50mm lenses so damned complicated? by astrange on Monday May 10, 2021 @01:36PM (#27108615)
What were you editing the output with? Did it have accurate lens compensation?

Even just fixing the vignette some lenses add is enough to make pictures no longer depressing. If the lens adds chromatic aberration that's quite difficult to fix though.

Re:Why are modern 50mm lenses so damned complicated? by vladvasiliu on Monday May 10, 2021 @01:50PM (#27108772)
I was using whatever the latest Lightroom version was at the time. I started using the 17-40 around 2009-2010 I'd say, and I bought the 17-55 much later, so I suppose that Lightroom support improved in the meantime. Plus the difference was apparent on the camera's screen, with all the controls unchanged between the lenses.

I actually tend to add vignetting in post-processing, so that's likely not the cause. The issues I had were with color rendition, and in particular with subtle variations in tone.

I don't remember there being any strong chromatic aberration either. I remember that both the 17-55/2.8 and the 17-40/4 where quite highly rated at the time, with the former having a better measured quality than the latter, even on a crop sensor.

Don't get me wrong, I don't remember there being any "technical" issues with the 17-55. It was plenty sharp and aberrations were kept to a minimum, especially since I never pushed my luck with strong backlight, etc.

But maybe that's the thing, images were maybe too "clinical". I wouldn't say the pictures were "depressing", they were just... "meh". Like random snapshots. Sharp, well-exposed snapshots, but snapshots still.

---

Edit: Regarding editing, I should add that I experimented with DxO optics, which had profiles for both lenses. The corrections were quite amazing, especially at the wide end. But given my usual subject matter, I never considered the change meaningful, so it didn't bother with it in my regular workflow.