I wonder if you could have a separate layer which physically (chemically) responded to the pressure to make it look like the screen was drawing your line, but which only lasted for about 50ms after the pressure is removed.
This chemical layer would be visible for just enough time for the real eInk pixels to actually refresh underneath the "pressure mask".
> You'd be stuck with essentially one "material" though -- eg color or brush or whatever -- but I could see its utility as a dedicated single-purpose device (like only intended for sketching/notes -- which I guess is mostly true of remarkable anyways)
I'd be curious about human perception of color matching/etc at the <50ms level - I'd suspect if you had _something_ that then became the actual color/brush, our visual system would probably just backfill to say it'd always been that color/texture.
To me 1ms doesn't seem worth it given the diminishing returns. Something like 5-10 would be way easier to do.
I found it fine for note-taking, but lots of people would still notice the latency, especially those using creative tools where there is a strong feedback loop between what you see and what you draw.
They are now claiming 9ms lag. I suspect this is imperceptible for the use case of note-taking and marking up PDF documents (e.g. highlighting, making notes in the margin).
But then again, 20ms is going to be more than fine for that use case as well.
But as humans, would we notice 21ms lag while writing even if we paid close attention?