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Re:TikTok and the Sorting Hat by mgraczyk on Tuesday August 04, 2020 @01:43PM (#24052505)
> How did an app designed by two guys in Shanghai managed to run circles around U.S. video apps

Part of the explanation is that they weren't in Shanghai. The founders both worked full time at US tech companies in California when musical.ly was founded. musical.ly may have been founded while they were temporarily in Shanghai, but the founders were not some random people who didn't understand US culture.

This is important to the article's thesis. At least part of the early insight into the US market comes from the founders living and working in the US.

Re:TikTok and the Sorting Hat by dirtyid on Tuesday August 04, 2020 @06:25PM (#24055157)
IMO TikTok's draw is that it's the anthithesis to American / western social media culture. It's algorithmic bias towards mainstream, playful, feel good content is a byproduct of Chinese style censorship.

What you see on TikTok reflects content that survives the crucibles of Chinese internet filtering. "Creative and Joyful" opiate for the masses. This is an often overlooked aspect of Chinese social media / content filtering philosophy that has coalesced over time - block out the bad and divisive while elevating mundane joys. It's how the 50c operates, it floods the airwaves with small happy platitudes and avoids debates because engaging and challenging controversial topics is how toxicity is produced. It's counterproductive to even try. The last thing Chinese social media platforms is designed to do is to start revolutions, encourage radicalization or sectarianism among impressionable audiences, things western social media platforms are dealing with now, and why they were blocked in China in the first place. Of course, politics and toxicity exist all over Chinese internet as well, they just get filtered / harmonized over time or never reach many eyes in the first place. It maybe a bad unitary model for governing cyberspace policy for an entire country, but it's has merits when applied to certain audiences / networks and the west should learn from it even if TikTok gets banned.

Re:TikTok and the Sorting Hat by majormajor on Tuesday August 04, 2020 @07:59PM (#24055824)
That's hardly "nonwestern" or unique.

Big part of the appeal of snapchat was that you could be silly and send goofy shit without leaving a permanent record of it on your feed...

Re:TikTok and the Sorting Hat by dirtyid on Tuesday August 04, 2020 @09:53PM (#24056524)
It's not the "wholesomeness" that's unique to China, but the commitment to maintain that wholesomeness systematically as an platform identity which is a trained requisite for surviving Chinese censorship. The issue with many western media platform is they start off wholesome like TikTok but inevitably reach Eternal September criticality with unconstrained growth. Western moderation philosophy is typically to let this run, eyeballs at all cost, until they're forced to respond incrementally to outside forces. This alienates the masses who don't care for the fringe drama. The Chinese model is preemptively tame the space because censorship board diktat is arbitrary so best to constrain space. This accommodates the masses and alienates fringe voices. The enforcement tools use to mean unsophisticated mass deletion, but now there are systems of shadowban, limiting promotion of material etc, i.e. tons of steps to curtail "problematic" content before banhammer. The latter is rarely exercised in west, because other strategies seem to work well enough. This isn't to say masses won't get tired of TikTok eventually like every other media platform, but that it's content philosophy does make it stand out from western counterparts which might explain it's popularity. People are hooked TikTok because it doesn't feel like it's heading towards Eternal September, but maybe it's only a matter time.
Re:TikTok and the Sorting Hat by ontifica on Tuesday August 04, 2020 @07:40PM (#24055700)
This doesn't make any sense, I use tiktok and there's plenty of content I wouldn't expect china or america to endorse. There are lots of videos dedicated to communism, capitalism, uyghur muslims, BLM, etc. It's actually fairly open and this type of content gets noticeably boosted by the algorithm if you express interest in it, and gets a ton of likes too. There is also plenty of happy cat videos as well if that's your thing.

Also, ugly people get a lot of attention. I would expect china's social credit system to discredit those who are less attractive, but on tiktok you see less than conventionally attractive creators get a big following. They don't even need to be freak shows, it's just an app that's full of regular people openly talking about regular things. Very much the opposite of what I have heard about the way media works in china.

Re:TikTok and the Sorting Hat by dirtyid on Tuesday August 04, 2020 @09:34PM (#24056411)
Allowable overton window differs between region to region - TikTok international is a business and will respond to local pressures, i.e. west shifted to laxer content restrictions due to MSM reporting of possible censorship last year. But behind the scenes the algorithm is biased towards mainstream content and limits dissemination of fringe / radical views, a must if you want to reach mass eyeballs in China. This is mostly in reference to actual ideology and not the dumb article about censoring ugly/poor, that's branding decision for advertisers. It follows same pattern on Chinese net, dissenting opinions are allowed to exist, either for limited time or exposed to limited eyes, unless gained too much traction in which case it will be removed, or endorsed for political purposes. Social credit has not been expanded to extent west think it does. Nor is Chinese internet as manicured west thinks. It's every bit as much of a shitshow as western internet except janitors come in to sweep up very frequently. If you experience it live, there's shit flinging all over the place. But TikTok itself very much feels like Douyin, lots of regular ppl doing regular things, very little drama or divisive topics because the janitors are proactively working in the background to shape platform sentiment versus west which is more reactive. I'm not saying it's analogous to Chinese net as a whole, but what is allowed to be mainstream and dictate the rhythms of society.
Re:TikTok and the Sorting Hat by rfoo on Wednesday August 05, 2020 @03:58AM (#24058307)
> Social credit has not been expanded to extent west think it does.

OT but this is the first time I see China's "social credit system" not being described as a myth on HN. People usually just repeat the myth pushed by mainstream media. Can you suggest something to read on this?

Re:TikTok and the Sorting Hat by dirtyid on Wednesday August 05, 2020 @08:17AM (#24059963)
There's a 2018 Sinicia episode for with Rogier Creemers who did first summary of systems: https://supchina.com/podcast/mythbusting-chinas-social-credi...

A 2019 compilation of experts: http://socialcredit.triviumchina.com/what-is-social-credit/k...

Otherwise the system is still very new and in progressive. If it's anything like BRI, it could be a massive uncoordinated internal shitshow of competing jurisdictions and incentives that doesn't pull together into anything cohesive for a long time.

Re:TikTok and the Sorting Hat by fiblye on Tuesday August 04, 2020 @09:22PM (#24056321)
TikTok has been publicly criticized for their censorship and filtering countless times, so I wouldn't doubt that they toned it down a bit in the non-Chinese versions while they're actively getting negative coverage.
Re:TikTok and the Sorting Hat by beaunative on Wednesday August 05, 2020 @10:19AM (#24061037)
why would politicians censor content based on attractiveness? that doesn't make any sense. tbh most politicians aren't pretty anyway.
Re:TikTok and the Sorting Hat by thrownblown on Tuesday August 04, 2020 @06:58PM (#24055402)
It's curious comparing that to the more profit motived social networks bias towards outrage because that gets engagement and clicks?
Re:TikTok and the Sorting Hat by russli1993 on Tuesday August 04, 2020 @08:59PM (#24056170)
1. the regulation and AI for Douyin and TikTok is completely separate and different. On TikTok I frequently see anti-China videos.

2. From my experience on Chinese social media, the debate on policies and voices on public grievances are common place. When there is a huge public blacklash for something the government is done, it might be filtered to tone down the "heat", but I believe that is to reduce the chance of the incident develop into uncontrolled populism and social unrest. For these incidents, the government usually acts really fast to address the incident. An investigation could be launched, and any government official found with wrongdoing is promptly sacked.

I find for public grievances, the government is already addressing many of them. For others, the government usually acknowledge it after sometime and add it to its working plan. For example, a lot of people were criticizing air quality in early 2010s. By 2013, government's added air quality to its working agenda and released a series of comprehensive plans to address air quality. For the past 8 years, the work on air quality has been consistent. And you can see how much air quality has improved in China. Same thing with poverty, education issues, left behind child, health care etc. So I believe the government does listen to the public, even though public backlash might be filtered at the moment.

A group of people demand change, but changes need time, government and society need time to adjust. The group that demand change could think that its their right to demand change and world should listen. They might use tactics such as massive protests to demand the world's attention. But mass protests in China massively dense cities could cause financial and live lost to others. At that point the group that demand change inadvertently infringing on others right to peace and good health. This is fear. The fear is not about criticisms for the government, but its about hot blooded public demands that grow into populism and hate. And populism creates irrationality in the society that doesn't help to address the issue and might cause more damages. Criticisms are to be addressed in the framework set out by the political system and in an environment that allows rational debate and negotiations.

Filtering on Chinese internet is about controlling populism, any kind of populism. In fact, articles that stoke mindless love for the ccp, personal admiration for xijingping, or hot blooded nationalism are also filtered. Also the platforms will try to remove fake news, spam accounts soliciting money, child pornography, and other illegal content. This stuff seems to be practiced in western internet.

I don't know this is the right way to do things though.

Re:TikTok and the Sorting Hat by dirtyid on Tuesday August 04, 2020 @10:05PM (#24056578)
I've replied to other comments in the thread, but yes TikTok content varies between regions but the broad point is the algorithm will regress towards the wholesome instead of fragment towards radicalism over time. It doesn't not represent whole of Chinese internet, which your observations cover, but the model that survives censorship laws to reach wide spread popularity by focusing on wholesome content to preempt frequently arbitrary censorship whims. Petitioning and politics and dissent is widespread over Chinese internet, it's not as closed as most in the west believe, but they're happening on other platforms and serve as release valves for complaints and contradictions. Douyin / TikTok is where you go to avoid all that. So if you've been growing up on western internet, seeing Twitter / FB descent into insanity, TikTok is a welcome reprieve, with the caveat that said reprieve is by design and not novelty - it may very well fall out of favor with ban or time, but at it's heart, it's designed to stay wholesome which makes it an interesting alternative model in western market. .
Re:TikTok and the Sorting Hat by balola on Tuesday August 04, 2020 @09:39PM (#24056441)
You gotta give the masses a sense that the party is doing something for them, usuallly something unrelated to party affairs and politics, like civil criminal cases, that's when the censorship turn "lenient", and these specific cases that got public attention usually get to be solves quickly. But you never see sensitive matters being allowed to even exist, and any account who dares to challenge this boundary is quickly terminated..

That's the magic of censorship, to make the masses feel good, coz ignarance is bliss, the news are harmonious and bad apples are handled by the dear gov.

Re:TikTok and the Sorting Hat by wenbin on Tuesday August 04, 2020 @02:49PM (#24053226)
The musicaly people were already veterans in Silicon Valley tech scene (not young under silicon valley standard & with years of working experience).

They raised money to build education product with short videos in it.

The education product was not doing well. So they cut everything and kept the short video part.

Sounds familiar?

YouTube was initially a dating website with videos. Then they cut the dating part and kept videos.

Instagram was initially a checkin app with photos. Then they cut the checkin part and kept photos.

Re:TikTok and the Sorting Hat by egypturnash on Tuesday August 04, 2020 @04:07PM (#24053979)
Flickr: initially an image management/sharing tool for a 2d online game. Cut the game, kept the image sharing.

Slack: initially an internal communication tool for another incarnation of the same game. Cut the game, kept the chat.

(An incarnation of this game did briefly exist between these two, but only lasted about a year.)

Re:TikTok and the Sorting Hat by njj on Wednesday August 05, 2020 @01:09PM (#24063095)
Re:TikTok and the Sorting Hat by strombofulous on Tuesday August 04, 2020 @04:18PM (#24054072)
What was the game called?
Re:TikTok and the Sorting Hat by aniro on Tuesday August 04, 2020 @05:14PM (#24054569)
Glitch.
Re:TikTok and the Sorting Hat by MontagFTB on Tuesday August 04, 2020 @07:23PM (#24055570)
I believe Slack reused some of the game’s graphics on their 404 page.
Re:TikTok and the Sorting Hat by ZeljkoS on Tuesday August 04, 2020 @05:59PM (#24054940)
Fascinating! For curious, here are more details: https://en.wikipedia.org/wiki/Stewart_Butterfield#Career
Re:TikTok and the Sorting Hat by jehlakj on Tuesday August 04, 2020 @03:48PM (#24053782)
For a second I thought you were going to mention vine.
Re:TikTok and the Sorting Hat by dilyevsky on Tuesday August 04, 2020 @04:24PM (#24054130)
With vine twitter went one step further and got rid of video part too
Re:TikTok and the Sorting Hat by sangnoir on Tuesday August 04, 2020 @08:06PM (#24055861)
> [...] the founders were not some random people who didn't understand US culture...This is important to the article's thesis.

This is the opposite of the article's thesis. Musical.ly hit a wall. Only after it was purchased by Bytedance, rebranded as TikTok, and Bytedance poured their magical, cultural-agnostic AI sauce (and ad dollars) did TikTok truly take off. By all indications, this AI magic was wholly created in China and retrofitted onto TikTok.

The article's thesis is that AI doesn't need to understand the culture when it can understand the person at an individual level. The closing anecdote emphasizes the point: a Chinese startup that has a number 1 news app in India and not a single person in the company can read any of the content in their app (Hindi)?! How is that for not understanding a culture?

Re:TikTok and the Sorting Hat by WillPostForFood on Tuesday August 04, 2020 @11:14PM (#24056931)
Musical.ly hit a wall. Only after it was purchased by Bytedance, rebranded as TikTok, and Bytedance poured their magical, cultural-agnostic AI sauce (and ad dollars) did TikTok truly take off. By all indications, this AI magic was wholly created in China and retrofitted onto TikTok.

Music.ly blew up in 2015 and was in the top app charts for a year before Bytedance bought them. They were at 133 million registered users and 40 million MAU in 2016. What was the wall they hit?

https://digital.hbs.edu/platform-digit/wp-content/uploads/si...

Re:TikTok and the Sorting Hat by wtracy on Wednesday August 05, 2020 @12:23AM (#24057240)
They "hit a wall" in the sense that they couldn't keep up the hockey stick style growth that venture capitalists have come to expect.
Re:TikTok and the Sorting Hat by WillPostForFood on Wednesday August 05, 2020 @07:19PM (#24066668)
Maybe that's true, but in that case it was just Bytedance as a financial savior, not technical or product savior. Could have been Facebook, Google, or anyone with deep pockets.
Re:TikTok and the Sorting Hat by evrydayhustling on Tuesday August 04, 2020 @09:15PM (#24056281)
As an AI-focused human, I'm pretty skeptical of the idea that ByteDance' AI made the difference here - not because I dispute that AI can pierce cultural boundaries, but because doing so is a purchasable commodity for a scaled social platform. The magic sauce here was getting the flywheel turning to have users invent content templates native to the medium. Ad dollars, as you mention, and some smart decisions about biases (maybe, as another commenter says, the creative positivity that survives CN censorship).
Re:TikTok and the Sorting Hat by mgraczyk on Tuesday August 04, 2020 @09:19PM (#24056314)
Right, I meant that this fact undermines the article's thesis. It's important to consider when evaluating what happened with TikTok.

I think the general point is right (culture can be abstracted), but I am skeptical that ML/AI alone would have been sufficient.

Re:TikTok and the Sorting Hat by glaive123 on Tuesday August 04, 2020 @10:22PM (#24056666)
This is misleading. The founders grew up and went to University in China. Working in California for 5 years likely isn't enough for someone to deeply understand US culture. Same goes for anyone living and working in a foreign country for 5 years. There's some things you can never understand.
Re:TikTok and the Sorting Hat by babayega2 on Tuesday August 04, 2020 @10:42PM (#24056775)
I wouldn't say you can never . Because I went to Italy and even the first year I started to see the difference between my country/culture and theirs and what business opportunities could benefit one or the other. It's so simple. 5 years is enough especially for someone with an entrepreneurship mindset.
Re:TikTok and the Sorting Hat by mgraczyk on Wednesday August 05, 2020 @01:59AM (#24057685)
Yeah I disagree. Many young successful entrepreneurs are in their early 20s and have spent less time than 5 years actually experiencing and understanding the culture they live in. I think having some immersion is necessary, but 5 years is probably plenty.
Re:TikTok and the Sorting Hat by wtracy on Wednesday August 05, 2020 @12:31AM (#24057261)
Understanding a culture is not a binary thing.

Five years is enough time to understand a lot more than someone who has never set for in the country. Naturally, there's other things that they still wouldn't understand after twenty years.

Other companies are failing because they're making mistakes that someone who's been in the US less than a year could recognize. ("Don't use imagery of white and black people facing off to advertise that your product comes in white and black colors.")

Re:TikTok and the Sorting Hat by beaunative on Wednesday August 05, 2020 @10:15AM (#24060993)
This is a false dichotomy. I don't understand half of the things my parents do but that doesn't mean I don't understand my culture. Culture is defined by people living in it, not an isolated piece.