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Re:The Day the Music Burned by daurnimator on Tuesday June 11, 2019 @10:15AM (#20155576)
IMO the shutdown of Oink's pink palace was much worse than what.cd. What.cd was the bits of OiNK that people had bothered to archive...
Re:The Day the Music Burned by ukyrgf on Tuesday June 11, 2019 @10:42AM (#20155842)
This was true of Waffles. They were just torrent sites. People used them, musicians approved, leaks happened, and everything else that pirates do went down there. What.CD, however, became a place that was trying to build an archive of every piece of recorded music ever created. If a version of an album wasn't on there, a bounty was created that was often compelling enough that people would spend time and money hunting down a copy of it.
Re:The Day the Music Burned by macandcheese on Tuesday June 11, 2019 @12:29PM (#20156940)
They weren't just torrent sites, they housed communities and (eventually on What) music graphs that led to countless new musical discoveries for users. If Oink wasn't shut down, What.cd wouldn't have existed - it was simply the precursor. Waffles was just (IMO) a slightly less popular destination for the diaspora of Oink users.
Re:The Day the Music Burned by gloflo on Tuesday June 11, 2019 @11:47AM (#20156465)
It was the same at OiNK's, at least for certain genres. Purely from the community itself.
Re:The Day the Music Burned by lisnake on Tuesday June 11, 2019 @05:00PM (#20159494)
In the end, what.cd collection was several times bigger than oink