I disagree with the characterization that it's comparable to a gun to the head. In Lena's case, she was offered a way to make money, she considered the decision, took it, then used the money she made to start an independent life for herself. She declines Hugh Hefner's offer because that crosses a line for her. How does any of this suggest the desperation of starvation?

At the end of the day, her perspective matters the most:

> Lena doesn’t harbor any resentment toward Sawchuk and his imitators for how they appropriated her image; the only note of regret she expressed was that she wasn’t better compensated. In her view, the photograph is an immense accomplishment that just happened to take on a life of its own. “I’m really proud of that picture,” she said.

She's proud of it. Don't deprive her of that.