It's difficult to explain but what I do is designed for me. There's a lot I do because I understand both sides of the equation which means my studio isn't a turnkey solution anyone could walk into. You need to be able to understand 'why' when something doesn't work.
That being said, IMHO Sinclair did it the wrong way. The weather unit should be an autonomous production, not dependent on the regular studio being free. My all-in studio cost is around Hyundai money. It removes complexity and allows live production where needed and closer to air always.
I had a trip from SoCal to Milwaukee cancelled because a few guys who robbed a gas station decided to drive the getaway car to Sky Harbor Airport in Phoenix -- where my first flight was headed. Random shit happens.
In three years of doing this what you describe hasn't ever happened.
We use the Internet for data. I have fiber to the wall.
Do you have any problems with this remote setup like Sinclair has with “Centralcasting” local news from far away? (Graphics and visuals for the wrong station showing up, talent’s obvious lack of knowledge of local events and terminology, etc...)
What happens in the event of a California-centric disaster like an earthquake or wildfire, and you’re not available? Or if there’s a major weather event in Nebraska and you’re not there, or not able to feed into Nebraska because Vyvx/internet goes down or the satellite dish freezes over?