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Re:“Close to tears, he left at the intermission”: how Kubric... by rainloft on Sunday April 08, 2018 @12:27AM (#16784620)
I've watched 2001 twice in my life. Once on my laptop screen, and once in a theater. Wildly different experiences.

On a laptop, it was maddeningly slow. I couldn't bear that scene where the spaceship docks on the space station while the Blue Danube Waltz played. Excruciating. I wish there was more explanation, as my mind was wandering watching this dull film.

In a theater, I experienced a completely different film.On the big screen, I could imagine the scale of this achievement, of a man-made spaceship landing on a man-made space station, all this coordination, against the Blue Danube waltz, and it was all I could see in my field of vision. Not distracted by other things as I was on my laptop. I didn't need explanation. I just felt it. I finally felt that I had "gotten" the movie. It was an experience. Not just plot and explosions and super heroes, like most movies are today.

A powerful film is expressed in images! Film. It's called a motion picture. The more a film can be expressed in images, the more "pure" it is to its medium! And most of the film was silent.

I'm glad Clarke got the chance to make it a novel, and told it in the form most fitting for him.

Kubrick was a filmmaker and Clarke a writer. I think it is natural that they would disagree on the telling of this story. Different mediums call for different ways to tell the story.

Re:“Close to tears, he left at the intermission”: how Kubric... by davidgould on Sunday April 08, 2018 @04:04AM (#16785151)
We forget in the age of constant exposure to video that big screen cinema is not the same thing and that some films use the large screen fully as part of the art.

One of my favorite old movies is "The Stunt Man". One of my most disappointing viewing experiences was re-watching "The Stunt Man" on a friends small screen. Most of the emotional and dramatic tension in the film is driven by the sense/fear that the Peter O'Toole character is omniscient, that no matter what the other characters try he will somehow be ahead of them. This works because the viewer also ends up believing this. But a lot of the work to sell this is done in the viewers peripheral vision and on a small screen it simply doesn't happen which leaves the film sadly deflated.

Re:“Close to tears, he left at the intermission”: how Kubric... by myth_buster on Sunday April 08, 2018 @09:00AM (#16785905)
Kubrick shot it using Super Panavision 70 film and it's supposed to be seen in theatre for the immersive experience. Sadly there are only a handful of theaters that can screen 70mm.

https://en.wikipedia.org/wiki/List_of_70_mm_films

I love to geek out on this film so this thread is a welcome respite.

Re:“Close to tears, he left at the intermission”: how Kubric... by KozmoNau7 on Sunday April 08, 2018 @01:26AM (#16784764)
I've had the same experience with The Shining.

On my PC, it's a bit plodding and slow, but on the big screen, it's a completely visceral and intense experience like no other film I've seen.

Re:“Close to tears, he left at the intermission”: how Kubric... by logicallee on Sunday April 08, 2018 @03:14AM (#16785037)
Lawrence of Arabia is supposed to be an immersive, "culturally, historically, and aesthetically significant" epic historical drama film which won Best Cinematography. But I couldn't avoid constantly glancing at the time and my notifications, when I watched it on a smart watch screen that also displayed a bar across the top showing the time and my notifications.
Re:“Close to tears, he left at the intermission”: how Kubric... by socceroos on Sunday April 08, 2018 @03:32AM (#16785077)
I had a similar experience when watching this through the terminal (img to ascii conversion) on my headless server. It was too easy to get distracted by syslog events that were overwriting stdout from the video.
Re:“Close to tears, he left at the intermission”: how Kubric... by jblow on Sunday April 08, 2018 @11:13PM (#16790040)
When I watched the movie via a video player made from Redstone, I didn't realize it at first, but the inexact color reproduction really subtracted nuance from the mood, and the fact that I had to run away from monsters every night really prevented me from mentally investing in the movie. This was all really subtle, but later on when I watched the movie in a big theater, I was amazed at the difference!
Re:“Close to tears, he left at the intermission”: how Kubric... by ahofmann on Sunday April 08, 2018 @04:12AM (#16785174)
This post made my day, thank you very much!
Re:“Close to tears, he left at the intermission”: how Kubric... by noefingway on Sunday April 08, 2018 @09:10AM (#16785932)
I grew up around Washington DC which had some fine large screen theaters. One had a curved screen (the Uptown, IIRC, movies were all in 70mm format) so if you sat in the first few rows, the screen almost wrapped around you. IMHO, the only way to appreciate some of these great movies (2001, Lawrence of Arabia, How the West Was Won) is to see them on a large screen. IMHO, you just don't get to see how spectacular the cinematography is when you watch on a TV or a small screen theater. Unfortunately, most of the large screen theaters have disappeared.
Re:“Close to tears, he left at the intermission”: how Kubric... by jameslevy on Sunday April 08, 2018 @03:58AM (#16785138)
Serious question: How is it possible to view Lawrence of Arabia on a smart watch?
Re:“Close to tears, he left at the intermission”: how Kubric... by adriand on Sunday April 08, 2018 @08:38AM (#16785850)
I can only assume this was a joke. Either way, I laughed.
Re:“Close to tears, he left at the intermission”: how Kubric... by joejerryronnie on Sunday April 08, 2018 @12:21PM (#16786813)
View extremely close with only one eye open.
Re:“Close to tears, he left at the intermission”: how Kubric... by specialist on Sunday April 08, 2018 @09:10PM (#16789521)
Lawrence of Arabia showed in its original CinemaScope format is a totally different movie. I was mesmerized.
Re:“Close to tears, he left at the intermission”: how Kubric... by geon on Sunday April 08, 2018 @05:31PM (#16788542)
IMO, the movie tells the story really badly. The motivation of Hal is not explained at all, and the ending is just absurd.
Re:“Close to tears, he left at the intermission”: how Kubric... by leddt on Sunday April 08, 2018 @11:29AM (#16786522)
Do you happen to know if watching the movie with a VR setup on a virtual big screen could replicate that experience?
Re:“Close to tears, he left at the intermission”: how Kubric... by geon on Sunday April 08, 2018 @05:35PM (#16788571)
Lay down and place a laptop on your chest, as close to your chin as possible.