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Re:“Close to tears, he left at the intermission”: how Kubric... by hristov on Saturday April 07, 2018 @09:48PM (#16784110)
Steven King got to write the screenplay for his own version of the shining in the form of a TV miniseries. It was so bad it was actually funny instead of being scary. I think it is safe to say here that history has proven Kubrick right on this particular point.
Re:“Close to tears, he left at the intermission”: how Kubric... by chipotle_coyote on Sunday April 08, 2018 @02:01AM (#16784837)
Eh. Unlike the previous commenter, I didn't like the miniseries "way more," but in certain respects it's an unfair comparison--a workmanlike director rather than Stanley Fucking Kubrick, an overlong script treated as more or less untouchable, and what was, when push comes to shove, a TV movie budget for special effects. This affected nearly all of King's TV adaptations, with the possible exception of "Salem's Lot," which had the good fortune to be directed by Tobe Hoober. (For all the fondness the original "It" is remembered with, it's...more unintentionally comical than I think people remember, too.) Even so, I would argue that the miniseries does a better job of capturing the novel's themes about alcoholism and mental illness than the movie does. If they'd had a slightly more inventive director--and both the willingness and contractual freedom to make it a two-part miniseries instead of a three-part one--it would have been pretty great. Not Kubrick great, no, but great.

(Also: Steven Weber is a better Jack Torrance than Jack Nicholson is. Fight me.)

Re:“Close to tears, he left at the intermission”: how Kubric... by EGreg on Saturday April 07, 2018 @11:01PM (#16784392)
I liked the miniseries way more.