The author didn't understand that you're paying for access, if your script scores high enough.
What I meant to get to, and as your response shows I missed something, my bad, was quality has a tendency to go viral. Getting into some outlets - most notably Contests - then backing things up with Hosting is a good order of operations long-term.
I know the whole song and dance of paying for "exposure" and never once did I recoup. That's what bugs me about the business model - most every client will be in the red. Even if they score high enough.
Or, in other words, it's nice to be the best looking person in the strip club, but business is business.
I've never received an evaluation from The Black List, but if you actually get what their FAQs promise, "Your evaluation will include an overall rating and ratings on premise, plot, characters, dialogue, and setting, all from 1 to 10. It will also include brief answers about the script's greatest strengths, weaknesses, and commercial prospects." I think the price-to-value ratio of their service is quite good.
One almost wishes a similar service for scientific papers exists along the lines of a "paid dry-run peer review". Unfortunately this probably wouldn't take away from the need/burden of unpaid paper refeering for journals, but at least it's an idea to make another revenue stream available to staff doing the actual work that doesn't get co-opted by Elsevier or their non-open access ilk.
To me, paying $20 a month for The Black List to tell you that you're not ready seems like a reasonable investment in one's dreams. How could you possibly know where you stand if you never subject yourself to failure and criticism?