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Re:Bringing Chinese Science Fiction to the West by trhway on Tuesday November 01, 2016 @03:45PM (#12849423)
>"Show-not-tell" isn't much followed.

man, while that approach has it merits, i sometimes bored to death and drowning in American ("Show-not-tell" is taught here a lot starting from beginning of K12 and it is taught like it it the _only_ way) novels'/stories' showing and showing and showing all these details with telling almost nothing. Even Stephenson's works - i can't get more than a few tens of the pages in one sitting even though i do like his work. Again, it isn't about _all_ American writing, mostly about modern :) I mean just look at Asimov's Foundation - 100% tell, no show. Well, may be it is a bit dry for that reason, 5% of show wouldn't hurt :) Yet it is an example that "Show-not-tell" is just a tool which has its limited domain and which should not be enforced like orthodoxy (as far as i see, be it arts, science, etc. - wherever/whenever orthodoxy appears the art or science disappears there)

Btw, i'm a Russian (and do love a lot of American writing, especially SF and for the reasons mentioned above mostly buy American modern short SF where tell/show ratio is usually higher because of the short form limitation i guess :)

Re:Bringing Chinese Science Fiction to the West by pmoriarty on Tuesday November 01, 2016 @03:53PM (#12849506)
Was Asimov successful because he was telling and not showing, or despite it?

Would his works have been even better had he shown more and told less?