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Re:Technologists have produced a 3D-printed painting in the ... by Dylan16807 on Friday April 08, 2016 @01:06AM (#11452672)
By what measure? The measure of as many experts as you can find.

Copying a specific painting is a very different thing. It's hard for entirely mechanical and chemical reasons. Trying to make a new painting that blends in is much more interesting.

Re:Technologists have produced a 3D-printed painting in the ... by inimino on Friday April 08, 2016 @04:43AM (#11453378)
I don't mean copying a specific painting, but creating something that looks to human experts like a previously undiscovered Rembrandt. This would be a lot more impressive than creating something that fools a particular statistical algorithm.
Re:Technologists have produced a 3D-printed painting in the ... by Dylan16807 on Friday April 08, 2016 @05:07AM (#11453457)
What has suggested to you that the goal of this program is not creating something that looks to human experts like a previously undiscovered Rembrandt? (With emphasis on 'looks'; they're not trying to trick forensics)
Re:Technologists have produced a 3D-printed painting in the ... by TheOtherHobbes on Friday April 08, 2016 @08:22AM (#11454082)
They don't seem to have asked a lot of human experts for input. I think if they had done, the finished article would look different.

In fact it's nearly impossible to nail down provenance of any painting without an historical paper trail.

Auction houses regularly pay academics to make statements about provenance, but the statements are always questionable if there's no definitive record of sales and ownership.

Re:Technologists have produced a 3D-printed painting in the ... by Dylan16807 on Friday April 08, 2016 @12:32PM (#11455930)
The goal is something that looks like a real Rembrandt. Not something that has a convincing paper trail, or something that correctly carbon dates. The point is not to trick anyone, but to ask the question "based solely on your knowledge of how Rembrandt paints, can you tell if this is one of his?"