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Re:How the Mad Men Lost the Plot by hammock on Friday November 13, 2015 @12:31PM (#10561051)
>Applying a statistical analysis to sales data, he demonstrates that the majority of any successful brand’s sales comes from “light buyers”: people who buy it relatively infrequently. Coca-Cola’s business is not built on a hardcore of Coke lovers who drink it daily, but on the millions of people who buy it once or twice a year.

Having not read the book referenced, I haven't seen the data. But this seems to go against the Pareto Principle AKA 80/20 Rule which suggests 80% of your sales come from 20% of your (heaviest) customers, and against my own anecdotal experience as a marketer.

Re:How the Mad Men Lost the Plot by slg on Friday November 13, 2015 @12:57PM (#10561224)
I think what is meant is that those loyal (20%) Coke drinkers will continue to drink Coke regardless. There is no reason to focus on them. You are also probably not going to be able to convince someone who never drinks Coke to start drinking Coke. There is no reason to focus on them. That means the best area for marginal sales is those people who occasionally drink it. Getting those people to choose Coke slightly more often is probably the most efficient way to increase sales and is the method around which Coke builds its business.
Re:How the Mad Men Lost the Plot by kbenson on Friday November 13, 2015 @01:23PM (#10561391)
That makes sense, but it's not specifically what the quote says. The quote seems to be referencing total sales, and this sounds more like converted sales (for lack of knowing the best term to use).
Re:How the Mad Men Lost the Plot by jerf on Friday November 13, 2015 @02:49PM (#10562000)
I freely admit this is a guess, but: I suspect what was trying to be expressed is that for a mature product, the difference between profit and loss comes from the marginal buyers. If 80% of your break-even sales go to your solid buyers, and 10-30% of your break-even sales go to your marginal buyers, it's critical to court those margin buyers because they are the difference between revenue being 90% of your costs and 110% of your costs.

Again, let me say explicitly I am reading between the lines, but it is the closest sensible concept I know compared to what was said.

People in general often poorly understand the degree of capital expenditures made by companies, and I suspect those of us in the software vision may have an even more skewed vision since we see billion-dollar companies started with a laptop and ~50 square feet of office space, but when you have real capital expenditures required to make your product (even ignoring advertising, etc.), those little single-digit-percent wiggles right around the break-even point can be huge.

Re:How the Mad Men Lost the Plot by thodafeko on Friday November 13, 2015 @02:41PM (#10561949)
The book claims the Pareto rule is conventional wisdom but false: in reality the numbers look more like 50/20. My source: Slide 12 (http://www.slideshare.net/zanaida/how-brands-grow-a-summary-...)
Re:How the Mad Men Lost the Plot by rogerbinns on Friday November 13, 2015 @05:06PM (#10562715)
How about an airline then: http://qz.com/533501/half-of-american-airlines-revenue-came-...

> ... American Airlines president Scott Kirby gave a peek into the lopsided economics of his company, saying half of its revenue last year came from the 87% of its customers, who only flew the airline once.

The flip side is 13% of the regulars providing the other half of the revenue. But those passengers are already familiar with you and using you regularly. The "light buyers" comment is showing that the long tail matters too, and that they aren't that familiar with your business/brand, and also are unlikely to hang out/be reachable in the same way those 13% are.

The regulars are a known base - it is the irregulars who do need focussing on.

Re:How the Mad Men Lost the Plot by lsc on Friday November 13, 2015 @02:52PM (#10562020)
I thought that the 80/20 rule had no real scientific backing, that it was just a rough "rule of thumb" that business people throw out there because it sounds right.