vitaelabitur
Show HN: Ami – A local, open-source agent that does your busywork across apps
https://github.com/NanoNets/ami
Hey everybody, sharing Ami on HN today.Ami is an open source, local-first agent harness that acts as your shadow worker and copilot chat. It ships with a graph memory.Here's what Ami does on its own -- connects to apps, data, repositories, tools with your personal tokens- Learns how you do tasks (execution style, decisions, anti-patterns)- Learns how you communicate (external and internal)-...
Decoding 137MHz signals from passing satellites to get images with a $10 SDR
Context graphs: how AI agents can store and use past decisions
Context graphs: how AI agents remember why decisions were made
Nanonets OCR-3: A multimodal OCR model with bounding boxes & confidence scores
Benchmarking LLMs/VLMs on document parsing, extraction, VQA
I'm reminded of Lars von Trier's Melancholia. I don't recommend it to anyone but it's the best, most visceral portrayal of the condition I have found in any medium. Watching it was strangely cathartic.
Would you say it is convenient to use it for writing, say, 500 words at a go?
Ask HN: Best device for reading and light writing?
I want an e-ink display to read books and write my random musings, journal entries, notes.I'll be able to make good use of it, so I am willing to pay for quality.Audiobooks support and a browser for reading HN/blogs would be nice to have, but they aren't strict requirements at all.People seem to like the display on Kobo Libra Color, but I am not sure about the writing experience.Any...
If you only watch the story-driven scenes in Lawrence of Arabia, and skip the prolonged shots of the desert, you would miss out feeling the same vastness and heat Lawrence is feeling.
There is a limit to how much a film can make you think or feel. Films that reach the highest limits need "boring" voids in-between the primary scenes. These voids are not to ingest more, but to help digest what has been ingested in previous scenes, with subliminal scenes and silence that let the right thoughts and feelings grow.
Quite a while ago, books became a taste that needs to be patiently acquired. Someone starting to read today is more likely to develop the taste by gradually easing into books that demand more and more. Say maybe Huxley -> Camus -> Wilde -> Dostoevsky.
Now that short clips are here, the same has happened to films. The uninitiated need to sit through Scorsese, Hitchcock, Wilder, Kubrick, Altman before attempting Fellini, Antonioni, Tarkovsky, Ozu, Resnais.
And by the way, someone who is naturally inclined to love films (or books) won't be affected, even today. Am I wrong? The way they are described here, I would crush these film students.
Simulating Black Holes in C++ [video]
Modifying an old phone to read poetry [video]
It is easy to read, yet I remember it gave me an odd visceral sense of what calculus is (or maybe I just thought it did).
I am reading it again.
Calculus by L.V. Tarasov: A Socratic Dialogue (1982) [pdf]
Yeah, I especially hate how paranoid everyone is (but rightly so). I am constantly suspicious of others' perfectly original work being AI, and others are constantly suspicious of my work being AI.
Another way to do this is to use a hybrid approach. You perform unconstrained generation first, and then constrained generation on the failures.
Salvador Dalí's home: A labyrinth of fishermen's huts
LLM Structured Outputs Handbook
Can you read 900 words per minute? Try it
The Origin of the Word Daemon
Aaron Swartz died 13 years ago today
Context for the uninitiated or younger HN audience:Aaron Swartz was a programmer and an internet freedom activist. He co-authored the RSS spec at age 14, and helped build Reddit, Creative Commons, Markdown syntax, Open Library, and more. But he was much more than the sum of his outstanding code contributions. He believed public information hidden behind unreasonable paywalls should be free, and...