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I needed to stop reading his piece after a few sentences. I didn't even make it to "I could go on. (And I do, ad nauseam, in the notes below.)"... which is way to far down for my taste. Yes, he went ad nauseam.
Also, "Medium member since August 2019". Yeah, no. Thanks.
I experienced depression as symptom of a deeper "illness" of the brain that needs to be cured with psychotherapy. If it wasn't for that I'd still make the same mistakes again and again that made me depressed in the first place.
I doubt that they train dogs like "Steve's having a seizure. Good! Get that dog here."
I imagine that you do a preliminary training with faked seizures to get responses right and then hope (meaning: Train under real conditions) that the dog will react on a real seizure as well.
By giving vivid examples of failing or badly functioning and "maladaptive" (processes in) various (indigenous) societies he made made me value our current state of existence very much: Government, rights, laws, police, infrastructure, jobs, and all that really are a great achievement of mankind.
I‘ll also try buying glasses online as suggested elsewhere. I do that with contact lenses already (dailies for when I’m on stage).
Those modern glasses get scratches after just a few years of careful handling and cleaning only with „Mikrofaser“ in my experience. No fun having weak eyes in Germany.
Cats are predators. And they need freedom. If you're concerned for birds et al. don't get a cat.
Don't be cruel to cats to satisfy your need for a pet by forcing your view of how nature should work onto them.
I made a few strokes in the famous 2001 model Olimpia that was extremely difficult to trim. Like dancing on a toothpick. I liked the characteristics of that boat though: Very stiff and always straightening itself up. Due to it's shape it had bad directional stability. In situations with wind or a competitor next to you, you had the disadvantage of having to steer alot. Steering slows you down and costs stamina as hell.
Then the Dominator that had a much better directional stability, but would always tilt unless you kept in in balance. I never really liked that.
Now Plastex uses a trapezoid geometry in it's Fighter-line. For me that's the best of both worlds. It combines the characteristics I like from the Olympia and the directional stability of the Dominator. It's a pleasure to drive that boat! Still, it's even less stable in waves than the other ones and I regularly get frightened in churned up water. The Dominator was much more smooth here.
Edit: Spelling
But, banks are not allowed to mess with your funds. If it's in you account, then it's yours. It would be illegal for a bank to simply reverse a transfer. Crooks are protected by the laws as well.
Even if some obvious mistake was made at a e.g. payment provider and funds were wired to the wrong bank account, your bank has to send you a letter asking for your permission to reverse the mistake. Reading a batch file twice is a nice example: You get two credit entries, but the bank is not allowed to reverse one.
What happens with smaller scams is that crooks withdraw funds as soon as they've been booked. So most of the time the money already is physically lost before a (legal) claim arrives. So there's that.
Very well said.
As my prof for music ethnology said: There's no agreement on intervals in the world except for a prime being a prime.
That depends on the composer. I'm doing Hollander currently. I got to sing a hell lot of tritoni and chromatic progressions. That's pretty difficult.
But it doesn't sound that way at all. If you hear it "from the outside" you just think "yeah, that's how it's supposed to be.
I also did a contemporary Serbian opera a couple of years back than. Serbian folk music as I experienced it always sounds a litte "wrong but cool". Was near impossible to sing, but to the listener: Yeah, sounds good.
Many classically trained pianists are excellent at improvisation. Wagner, Beethoven, Mozart were respected pianists. Wagner wrote the Hollander by improvising on the piano reciting the lyrics. Beethoven was feared by other pianists for his level of skill at improvisation. Mozart improvised most of his piano sonatas as far as I remember.
Gould made a recording of Strauss songs I think. The singer said in an interview, that Gould just started to improvise in Strauss' style and harmonics (Strauss is pretty damn difficult).
Contemporary pianists often know both. Anecdotal evidence: A colleague of mine from music university studied classical piano and was a regular at jazz clubs in Dusseldorf.
It is very interesting to see differences in brain structure from classical to jazz pianists. Maybe a hint at how (muscle-)memory and motion planning is stored? A hint at how volatile brain structure is? It would be interesting to see, if e.g. a classically trained pianist switching to jazz exclusively also has a significant restructuring of his brain.
Edit: Now that I've read the article and the abstract of the paper (the paper is behind Elsevier's paywall), I understand that jazz pianists are quicker at planning new movements (a.k.a. Chord progressions) with the downside of making making more mistakes, while classically trained pianists are slower here, but faster at recognizing and repeating unlearned ("unusual") finger movements.
Would be interesting to see a comparison to pianists doing both jazz and classical music.
Often you'll find conductors where you can't read anything: "Now where's the 1? Well, last bar he did it with his wrist, now he's doing it with the tip of the stick, o wait,now he's swimming (unclear speed) again. Ok, now he's changing his frame of conducting (the area in which a conductor does his movement). Wait, what? Now he's giving the one behind his back. How am I supposed to ... Screw him. I'll just listen to the music and start a little early (you hear the orchestra with delay, as you often only get the reflection from the audience's walls).
Edit: We use the rehearsals to get to know a new conductor and to decide when to actively not look at him and get our marks from someplace else. Often you'll get so confused that it's better to "just do it, it'll be ok."
Also I have seen musicians in the orchestra conducting their colleagues in difficult parts where the "masterchief" wasn't any good. We do the same on stage in those cases.
SDD can be reversed without giving any reason for a whooping 8 weeks by the customer sometimes simply by clicking "reverse" and entering a TAN.
B2B is a different beast though.
No, because it already went nova a long time ago.
I've done alot of construction work. After some practice you can measure quite precisely what does fit where and even how long something is. Our brains seem to be able to "compute" such things despite all the difficulties of constructing a coherent image of our surroundings in the first place.
Or think of moving your huge couch through the narrow stairway of your house - we can predict how you need to turn it so it fits. Or think of truck drivers that are able to maneuver their large vehicles within cm range. Even when they can't see some of it (dead angles) and need to rely on their mental model.
Did I misunderstand your comment? Could you elaborate what I am missing?
However, I get suspicious when someone argues by analogy. Your "my car remembers a crash, furthermore humans do remember, therefore space could also remember gravity" does not seem reasonable to me.
I am also not sure why my post got downvoted.
Edit: As I think about it, "but Einstein showed that you can bend space without mass" again is an argument by analogy. It doesn't matter what analogies exist. The theory should be tested according to empiric evidence. Pulling your analogies together judt for the sake of abandoning a different theory - where's the point in that?
That there's stuff that has a mass but doesn't interact well with light, or that space is able to curve itself without mass, thus also rendering Einstein false.
This immediately raises further questions: How long does space remember? How's the exact mechanism? Where and how does empty space store that information? What happens to E=mc2?
I'm hearing a tinnitus for over 10 years now, so I know what it's like. :)
I assume the benevolent dictator would be someone, who allows different opinion, and who allows his policy to be changed by his people. And if they want to be governed by someone else, he would step down, have his own power limited or stripped. That wouldn't be a dictator then.
And you'd still have to deal with his administration which has it's own momentum. The 'benevolent dictator' could simply be replaced (killed) by his own clique with someone more in line with their interests.
What does 'genuine good intentions' even mean? Whose intentions? His, yours? Mine, or the ones from the guy next door? Who decides what good intentions are?