CarrieLab
We actually just published a blog today that includes our perspective on building “AI red teams” and best practices for AI alignment/safety: https://www.surgehq.ai/blog/ai-red-teams-for-adversarial-tra...
The Expanding Moral Cinematic Universe
Netflix's Ad-Supported Plan Reportedly Won’t Allow Downloads for Offline Viewing
The mega merger killed Batgirl
Playing video games has no effect on wellbeing, study finds
Most Americans think NASA’s $10B space telescope is a good investment
EU will require all new cars to have speeding prevention technology by 2024
‘An Invisible Cage’: How China Is Policing the Future
Major retailers creating “face prints” of their customers
Remote workers may soon be able to live and work tax-free in Bali
Netflix's plan to charge people for sharing passwords is already a mess
Is Elon right? We labeled 500 Twitter users to measure the amount of Spam
https://www.lesswrong.com/posts/r99tazGiLgzqFX7ka/playing-wi...
Ha, fair point. I must not realize how old I am, because I was attempting to reference the music of the 1960s and 70s, not 1982, which I agree is not many people's idea of the golden year for music ("Come On Eileen" notwithstanding).
> Sophisticated tools are a bit of a trap. People tend to create in ways that their tools make easier.
No doubt. Ableton, logic, and protools have drastically altered the norms of what modern music is "supposed" to sound like (ie tuned vocals, quantized drums etc). I do wonder what the next generation of music tech will bring.
The modern process of producing music would basically be unrecognizable to anyone 40 years ago — it's completely intertwined with technology, and far more automated. Yet music is as important as ever, and amazing music is being made (will politely side-step the pitfall of debating whether music was better 40 years ago!)
So I'm excited to see how visual artists incorporate tools like Dall-E into their artistic process.