Multi take, multitrack recording was a thing "in the vinyl era". You make it sound like the recording was done directly to master disc.
Re:Who's doing this to my internet?
by logfromblammo on Tuesday July 28, 2015 @02:55PM
(#9963732)
They didn't cover reel-to-reel recorders in that episode.
Obviously, recording the raw studio performances directly onto the masters that were to be reproduced would be a waste of resources. Multi-track reel-to-reel recorders were still pretty costly, even if the tape was relatively cheaper than the other costs of recording. That tech also improved up until the digital era, but I imagine most of the progress now goes into computer software.
People haven't really recorded directly to a groove in a plastic medium since wax phonograph cylinders. When you cut a vinyl master, you were probably doing it from tape.
Don't forget printing, labels, test presses, and pre-mastering. I started a vinyl record label a year ago and it's wild how man people/businesses are involved in the manufacturing process.
Here's a comparison of the processes.
Vinyl:
Digital: The capital requirements for digital recording are very low now, having benefited from Moore's Law. If you can buy just one high-quality microphone and one decent laptop, and invest a whole lot of your own time, you can single-handedly produce an album with quality comparable to the best studio recordings of the vinyl era.While Bobby McFerrin is the first person that I am aware of who did this, some artists will record separate tracks of themselves performing every part of a song, and painstakingly assemble the result in the studio to make their album. Then they hire other people to play those parts at live performances, or just leave some parts out.
In the vinyl era, you needed session musicians on staff at the studio. If someone screwed up, you couldn't easily re-record just that track. You usually had to re-do the whole thing.
So there are good reasons why music was relatively more expensive back then. Those reasons no longer apply.