Re:How I’d redesign piano sheet music
by the_cat_kittles on Saturday July 04, 2015 @12:29PM
(#9830633)
guitar is also difficult because the same note can be played in as many as 5 different places. sometimes its hard to tell which string to actually play it on, since a choice has fingering and possibly picking ramifications later.
How many guitarists (and I'm thinking classical or, perhaps, jazz guitarists) can just sit down and sight-read a piece? I suspect part of the craft is learning a piece, and learning the most efficient fingerings/patterns for the piece.
I've been in guitar orchestras, what we do is annotate our sheet music with optimal finger positions as we work through the piece. Especially for long pieces you can't necessarily keep in your head, this helps with sigh-reading tremendously since the positions are written in the sheet music.
Some sheet music for guitar also has note-level annotations for string number and finger positions, which does the above for the guitarist.
Re:How I’d redesign piano sheet music
by the_cat_kittles on Saturday July 04, 2015 @01:45PM
(#9830898)
sight reading charts is a must for journeymen pros in jazz, though some of the greats didn't read.
It's an interesting approach; there are apps that will do something similar to this. They're very much like guitar hero. Some of the newer electric pianos will even illuminate the keys in the correct order.
I think one of the reasons that guitarists use tablature is that using sheet music notation for the guitar is more difficult to learn (at least to me). I've struggled with the guitar because I haven't put in the time to get my head around translating between manuscript and which strings/frets I need to be using. Violinists don't seem to have the same problem, but perhaps that's because most violinists are classically trained whereas most guitarists aren't?