Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by lt on Friday December 04, 2009 @06:11AM
(#976152)
There's something that always amuses me in movies and series: something happened/is about to happen, a taskforce is created and they're running software very specific to that thing right away, with graphics, simulations, etc.
Who writes all that? No one ever mentions the programmers that save the day.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by rbanffy on Friday December 04, 2009 @06:17AM
(#976157)
I have to disagree on the ridiculous part. They are all busy and dense, but they are not ridiculous per se when detached from the movie they came from.
Sometimes, you have to convey a very large amount of information in a very confined space. The glass-cockpits in planes are a good example - very dense displays that require some training to use.
And, once it works, there is little reason not to make it look cool.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by gaius on Friday December 04, 2009 @07:13AM
(#976211)
Some of the best interfaces I have written have been in good old-fashioned curses. If you need a "dashboard" for a complex system for a skilled operator, you can convey an awful lot of information in a maximized xterm on a 1280x1024 screen, it's dense but it's not "cluttered" if you lay it out and use colour intelligently.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by rbanffy on Friday December 04, 2009 @11:46AM
(#976635)
Sure, bit it's useful to convey some information in graphical form. Many of the constructs he employs (progress circles, use of color gradients to indicate data age) are really good.
The main point being, complex data doesn't have to look ugly.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by ckuehne on Friday December 04, 2009 @04:36AM
(#976062)
Funny. The German in the Bourne Identity UIs is full of errors and fake words. Then again, it is still a lot better than the "German" spoken by Nazis in Hollywood movies.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by rbanffy on Friday December 04, 2009 @06:11AM
(#976150)
ACHTUNG!
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS!
DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN.
IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS.
ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by Nosferax on Friday December 04, 2009 @12:20PM
(#976718)
A much more interesting user interface used in a movie was developed by Oblong (see John Underkoffler). I am talking about Minority Report ;) They are making it into a real UI.
Re:Ridiculous User Interfaces In Film, and the Man Who Desig...
by youngian on Friday December 04, 2009 @05:09PM
(#977318)
I really enjoyed the UI stuff in Ironman. It was futuristic to be sure, but a lot of it struck me as interfaces that, given the technology, a brilliant inventor might actually use. And I'm pretty sure there was an implementation of tabs, pads, and boards (http://design.cca.edu/graduate/uploads/pdf/IA_PARC_Ubicomp.p...) going on there.
Who writes all that? No one ever mentions the programmers that save the day.
Who started all this one may wonder.
Sometimes, you have to convey a very large amount of information in a very confined space. The glass-cockpits in planes are a good example - very dense displays that require some training to use.
And, once it works, there is little reason not to make it look cool.
The main point being, complex data doesn't have to look ugly.
ALLES TURISTEN UND NONTEKNISCHEN LOOKENPEEPERS! DAS KOMPUTERMASCHINE IST NICHT FÜR DER GEFINGERPOKEN UND MITTENGRABEN! ODERWISE IST EASY TO SCHNAPPEN DER SPRINGENWERK, BLOWENFUSEN UND POPPENCORKEN MIT SPITZENSPARKSEN. IST NICHT FÜR GEWERKEN BEI DUMMKOPFEN. DER RUBBERNECKEN SIGHTSEEREN KEEPEN DAS COTTONPICKEN HÄNDER IN DAS POCKETS MUSS. ZO RELAXEN UND WATSCHEN DER BLINKENLICHTEN.
http://en.wikipedia.org/wiki/Blinkenlights
Anyway, I've made a mirror copy:
ftp://motoom.net/pictures/alien-sentry02.jpg
In other regards, I like the choice of Ulrich Schnauss on his film reel. Big fan. Good coding 'tunes.
Other than that it's pretty usable, though takes a while getting used to.
Check it out : www.oblong.com