Re:My Gravity lawsuit and how it affects every writer who se...
by arobertson on Sunday February 01, 2015 @05:53PM
(#8982017)
If it is well known that the studios use various accounting methods to hide profits, why do the people in the industry still accept contracts based on profits?
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Re:My Gravity lawsuit and how it affects every writer who se...
by Gravityloss on Sunday February 01, 2015 @11:23PM
(#8982714)
A better question is, why do US federal laws allow that kind of number mangling and contract swindling?
Since any contract can be full of tricks, it just means you need an army of lawyers even for the simplest things. It then gets really hard to actually do anything. And if you're poor, you're bound to get exploited by some obscure loophole.
Re:My Gravity lawsuit and how it affects every writer who se...
by objclxt on Sunday February 01, 2015 @06:46PM
(#8982153)
Nobody takes net points. Plenty of people take points on the gross, which is fine. Studios know that talent has wised up to net points, but that doesn't stop creative accounting from screwing you over in other ways.
For example, one of Peter Jackson's main grievances when he sued New Line was that he had been promised a cut of the revenue from merchandising right sales. New Line sold the merchandising rights to its own sibling and subsidiary companies using a closed bidding process at well below market rates.
Re:My Gravity lawsuit and how it affects every writer who se...
by petegrif on Sunday February 01, 2015 @08:20PM
(#8982348)
Plenty of people don't take points on the gross. Very few people get such points on gross.
Re:My Gravity lawsuit and how it affects every writer who se...
by charlesdm on Sunday February 01, 2015 @07:40PM
(#8982264)
I can't imagine he will work with those guys again.
Also, I can't imagine any of my friends still working with them after I've been screwed over.
Isn't this a relatively small world? Why work with people like that?