That if his motivation is the desire to retain creative control he does not need crowdfunding to do so.
> It argues either that Braff's fans would be somehow better off if he didn't make the new movie at all, or that Braff is somehow obligated work on projects for his fans.
It argues neither. It asks the question: you apparently want to do this, you seem to have the means to do it, why do you go through a crowdfunding site? The move also sends the message to potential funders that the creator doesn't really believe in the project so he wants others to bear the risks of it.
Which is (at least in part) incorrect since Braff contributes funds to it[0], sadly there's no more details and it's easy to miss it even when looking for the info. And of course the vultures who want to make copy will avoid asking this question and go for the outrage instead. But I don't see the issue with asking about it if it's done in good faith. I'm happy to know e.g. Brian Fargo is putting 100k of his own money into Torment, that tells me he believes in the thing.
[0] > I am absolutely contributing my own money to the funding of the film, but I actually can't afford to cover the entire cost of production. With a combination of my own personal funds, backing from my fans and the sale of some of the film's foreign rights, I will be able to make the film I intended to make which I am hoping is a film you want to see.
Isn't the standard operating procedure for making movies to go out and find other people to finance the bulk of your project, whether it be private investors or a big studio? A lot of rich stars/producers/directors get financing even though they could afford to do it all by themselves.
>> Why do you go through a crowdfunding site?
Because it's trendy and has worked for some other projects (i.e., Veronica Mars)?
Right, and that's the other thing people can take offense to. Many early "big" crowdfunding project had a feeling of "you're making it possible at all", that makes people think they can have an impact. "I heard there's free money to be had"... not so much.
It's just baffling.
The whole Braff kerfluffle seems so aggressively cut- off- nose- to- spite- face stupid; that somehow it's a bad thing when mainstream artists use crowdsourcing platforms as a substitute for the studio system, when in fact that's exactly what we need to have happen to disentangle content from holding companies and studios.