I wasn't supposed to act in it; IIRC we were one actor short that day so I got drafted.
It's awful in so many ways. After I played the film for my wife she turned to me and said 'that's 2 hours of my life that I will never get back.' Good times :-)
You can check in with Film Arts Foundation in SF (9th street I think) who have some decent resources, but the best ways to get gigs are a) craigslist and b) lurk around the Academy of Art in SF, which is always churning out film students, and which is dominated by wannabe directors/cinematographers, which means few of the students are interested in or good at sound.
There's a couple of talent agents in SF; get some decent headshots and put them on file, plus FAF has a headshot file cabinet so you can put your face in there for free. Although I actually have a fair bit of acting training, it's never been my personal ambition and I don't consider myself all that photogenic so I've never tried to do that as my main job; it's just another thing I can do on an as-needed basis on a film set, like lighting or packing a truck. You need to be versatile to work in the indie scene.
Drop me a line near the end of the month, I like teaching.
Sound guy for over a decade here [1], and I am off to shoot another feature starting Saturday. This is emphatically not true. You record as much as humanly possible on set. Even if you layer and resync it afterwards, doing all that in post is crazy expensive. On your limited budget it's self-defeating. Engineering the room response of the real location in post is very time consuming compared to capturing your raw material on location.
I'm open to helping with this project (EDIT: but won't be in the Bay area or online much until after 12/18); it pains me to see someone tying their hands unnecessarily.
1. http://www.imdb.com/name/nm1961377/