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Re:Why is choral music harder to appreciate? by lucyjojo on Monday August 25, 2025 @01:58AM (#45010677)
dissonance is a function of the instrument (and the notes -- and other stuff), not only the notes.

so notes that are dissonant on piano are not necessarily dissonant with human voices.

a big reason for that is apparently overtone matching (and i guess that because of formants/resonant cavities of the human vocal tract, there must be a lot of matching overtones in more cases, maybe? i wonder if there is a youtube vid about that, there must be...)

Re:Why is choral music harder to appreciate? by lucyjojo on Monday August 25, 2025 @02:00AM (#45010683)
tldr:

big chances it does not make dissonance "smoother", but that the sound is less dissonant in the first place.

Re:Why is choral music harder to appreciate? by kepeko on Monday August 25, 2025 @02:13AM (#45010760)
I wonder if human singer instinctively chooses another note, that is not 100% same frequency as in piano. You know, there are always imperfections in piano tuning even if it's done in today's standard way(all intervals are not perfect). I'm not a piano tuner but this is my understanding. Possibly trained singers can sing in a better harmony somewhere where piano gets it (very) slightly wrong?
Re:Why is choral music harder to appreciate? by simonask on Monday August 25, 2025 @02:19AM (#45010789)
It's not (just) instinctive. Good choral singers adjust their tuning purposefully to match the overtones of the harmony.

For example, if you are on the fifth in the chord, you adjust the tone slightly up. If you are on the major third, slightly down. Minor third, slightly up. These rules are consciously applied by choral singers, and are even genre-defining for things like barbershop.

Re:Why is choral music harder to appreciate? by bubblyworld on Monday August 25, 2025 @02:21AM (#45010800)
I suspect there's something to this. I find with guitar you can do something similar if you tune by ear, getting the strings to resonate with each other rather than perfectly matching a tuner. To my ears it produces a richer sound.
Re:Why is choral music harder to appreciate? by lucyjojo on Wednesday August 27, 2025 @01:43AM (#45035821)
yes these are called sweetened tunings.

apparently it's often done in pro recorded music.

my peterson tuner actually has these tunings embedded inside.

https://www.petersontuners.com/products/strobostomphd/

Re:Why is choral music harder to appreciate? by bubblyworld on Thursday August 28, 2025 @12:25PM (#45054080)
Neat, thanks! I knew this had to be a known thing haha.
Re:Why is choral music harder to appreciate? by lucyjojo on Wednesday August 27, 2025 @02:04AM (#45035946)
because pianos are real physical things, high and low strings have overtones that do not match the harmonics (and in different ways), so for stuff to "sound good" piano tuners tune on overtones and not fundamentals.

on a more fundamental level our perception of pitch (the musical psychoacoustic thing) also vary with loudness and frequency (physical reality)...

add to that, that at low frequencies we have difficulties tracking the pitch in the first place (so we rely on overtones/harmonics) -- which makes it even more important to tune on evertone (because our heads can recreate/track the note through psychoacoustic effects... so we will ear it "nice" when without the overtones we would be lost)

funny extra fact, our ears are cavities with resonances and distortions... (some musicians exploit that https://en.wikipedia.org/wiki/Maryanne_Amacher )

i might be wrong on some points since i starting learning about music 2 years ago as a hobby but i think it is mostly correct. the whole thing is fascinating.

Re:Why is choral music harder to appreciate? by impossiblefork on Tuesday August 26, 2025 @06:51AM (#45024811)
I wouldn't say overtone matching, but equal temperament leads to chords that sound terrible.

That's the comprise you get from trying to play with fixed notes even though you actually care about ratios.