Very excellent citation and explanation - one of my main attractions to drum & bass over the years has been the amazing capitalization upon dynamic range possible with modern systems. Why would I listen to Sub Focus on vinyl when the corresponding digital file (even 320 kbps - not to even mention “lossless” being somewhat possible) does not suffer from physical interface complications? I’m glad you brought up mastering and the “loudness wars” who CB is absolutely great reading for those interested in audiophile related endeavors!