Re:Pierre Schaeffer looking back on his career in musique co...
by bondarchuk on Tuesday December 10, 2024 @10:32AM
(#42377772)
I don't care one iota for trying to demarcate what is and what isn't music - IMHO just a really stupid thing to get hung up about. But the point about abstraction ("The whole problem of the sound-work [...]") in both visual and aural terms I found really interesting.
Regarding the conclusion, some of the best works have been disowned by their creators at some point, so not to worry there.
PS a nice sort of anthropological/sociological inside view of the IRCAM at some specific time can be read in "Rationalizing culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde" by Georgina Born.
By the way, isn't it quite silly to say that electronic music " emerged in Cologne in 1950 at the NWDR"? As if we wouldn't have electronic music from 1000 different places if it weren't for them...
Regarding the conclusion, some of the best works have been disowned by their creators at some point, so not to worry there.
PS a nice sort of anthropological/sociological inside view of the IRCAM at some specific time can be read in "Rationalizing culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde" by Georgina Born.
By the way, isn't it quite silly to say that electronic music " emerged in Cologne in 1950 at the NWDR"? As if we wouldn't have electronic music from 1000 different places if it weren't for them...