As a person who spends all day looking at contemporary art as my job, everyone in my field considers this lawsuit totally insane. The way Sarah Morris's audience (and she has a very big one) approaches her work has absolutely nothing to do with the way Lang's work is approached. Unless origami masters are using terms like "endgame", "the death of painting," or "the history of abstraction."

Fine art is really about invisible distinctions between existing objects, the difference between Duchamp's urinal and any other urinal. Contextualizing something in a contemporary art museum, even a much more direct appropriation than this, radically transforms it. In my view, applying intellectual property violations to contemporary artworks is at least as insane as any of the software patent shenanigans we have seen. No one is happening upon Morris's work and thinking she is a great origami designer.