The worst thing is watching everyone around me, even very intelligent people, get so angry over a space that is so heavily fabricated, optimised even for that very same outrage.
Non-profits give away billions and billions for non-economic reasons, they'd probably fund these loss making news outlets, and they indeed fund many non-economic advocacy organizations because they help them change the widely believed narratives to support their respective missions.
Nonsense example. Carlson was the figurehead for a narrative that cost Murdoch $800 million in defamation.
https://amp.theguardian.com/books/2023/jul/26/tucker-carlson...
He was a commentator when he was on CNN as well. He has never been a news anchor.
I would swear as well in court Fox News claimed he was an 'entertainer' at some point.
Excessive cynicism is a real danger too. Democracies rely on an informed electorate to guide decisions. If you throw up your hands and say the truth is unknowable so nothing matters anyway, you're giving into autocracy. There absolutely are forces that would like you to give up on the notion of being able to tell truth from falsehoods.
You may not know absolute truth for absolute certainty, but if you live in a democratic society and you'd like to keep it that way, you really ought to make an attempt to know what's going on.
I would like us to strive for better, not keep it the way it is now.
You could spend every waking hour reading news, it wouldn't improve your or anyone else's life much, and it definitely wouldn't be better than putting that effort into a whole lot of other things.
You care for democracy and politics? Excellent. Get involved in your local politics. won't take one tenth of the time and will pay off orders of magnitude more than reading stuff constantly.
When several news organizations follow the same narrative in a coordinated manner, is it because their editors just advertently sense "the party line"? Or the are some meetings where they are instructed? Or some written instructions distributed among them?
In Russian and Ukrainian practice I heard the term "themnik" - brief written instructions of how to present various themes.
Given that in the early post-soviet times, when this started, they all hired and learned from western (mostly american) political technologists, maybe this practice came from the west?
Have you ever saw or heard of such instructive, narrative establishing docs?
> When several news organizations follow the same narrative in a coordinated manner, is it because their editors just advertently sense "the party line"? Or the are some meetings where they are instructed? Or some written instructions distributed among them?
In the US, I think it's mostly due to shared individual biases causing the organizations to coalesce around a "party line." IIRC, a large majority of journalists have personal beliefs that are for one party and against the other, and even a very strong sense of professionalism can't fully neutralize bias like that.
https://en.wikipedia.org/wiki/Manufacturing_Consent?useskin=...
I am just curious about specific details or material artifacts of the media narrative control.
Herman and Chomskiy, as I understand, describe more conceptual model, that media orgs depend on their owners, on advertizers, etc, and thus influenced or biased.
But how does it work, if reallly present?
Pure self-censorship when people don't want to harm the interests of those who they depend on? This alone may not be enough, because requires clear understanding of the interests, which may not always be transparent.
Personnel policy, when only people with right beliefs are hired? May be not flexible enough, if the narrative needs to be changed quickly.
I think it's important to read news with that in mind, but almost treat it as game of spotting and anticipating the way things will be twisted to fit the narrative. It's helpful to familiarize oneself with concepts such as "burying the lede," and read some snarky media criticism from a perspective that cuts against the typical bias of the mainstream media.
There were also stories I was directed away from because they would alienate our audience.
It's a narrative business.