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Re:The New York Times is suing OpenAI and Microsoft for copy... by tremon on Wednesday December 27, 2023 @02:34PM (#38785622)
It mainly made mediocre drummers sound better to the untrained ear.
Re:The New York Times is suing OpenAI and Microsoft for copy... by graphe on Wednesday December 27, 2023 @04:20PM (#38786888)
I agree. Hitting perfect notes constantly with little or no variation is pretty hard for a person to do. Now anything "live" or proof of humanity is better sounding since it's not as sterile.
Re:The New York Times is suing OpenAI and Microsoft for copy... by idonotknowwhy on Wednesday December 27, 2023 @05:07PM (#38787392)
I agree with this. I prefer live music with the imperfections. And I like it when unmixed live recordings are leaked
Re:The New York Times is suing OpenAI and Microsoft for copy... by HaZeust on Wednesday December 27, 2023 @02:57PM (#38785903)
Then it comes down to preference, but the craft and discipline objectively evolved as a result. Just as your trained ear may keep your preference to more refined percussive - a subject matter expert may care more for their native, untrained materials on their topic. In either case, music progressed in spite of the trained ears, just as AI will progress all walks of life in spite of the subject matter experts.

Nonetheless, trained ears and subject matter experts can still pick their preference.

Re:The New York Times is suing OpenAI and Microsoft for copy... by buckyfull on Thursday December 28, 2023 @01:44PM (#38796932)
It allowed people to see the difference between drum machines and humans. Drummers could practice to sound more like the ‘perfect’ machines, but more importantly the best drummers learned how to differentiate themselves from machines. The best drummers actually became more human. Listen and look at Nate Smith - this guy plays with timing and feel and audience reactions in ways that machines cannot. Sometimes tools let humans expand their creativity in ways previously unheard of. Just like the LLMs are doing right now.