“Ian pointed out that whereas our culture openly invites us to be aware of birds and historic churches, it places no comparable emphasis on pylons, despite the fact that that they often rival, for ingenuity and beauty, many of the more established objects of our curiosity. He cited as an example Loch Awe in Scotland, a famously picturesque and romantic tourist destination dominated by the ruins of the fourteenth-century Kilchurn Castle, whose grounds are nevertheless crossed by a run of 400-kilowatt pylons linking the hydroelectric power station at Ben Cruachan with the Glasgow suburbs. On postcards of the loch and its castle, however, the electricity lines are almost invariably airbrushed out, so that the scenery pretends to a fictitious innocence, the bare hills and unsullied lake being symptomatic of what Ian (having grown increasingly garrulous under the influence of brandy) condemned as the garden-gnome mentality of sentimental Luddites.”

— The Pleasures and Sorrows of Work: t/c (Vintage International) by Alain De Botton https://a.co/1CjMq1u