I realize this example is super contrived and I legitimately hope I'm not mischaracterizing your fundamental position but I don't know you've really given me a basis to understand how you or the typical fan would approach such a dilemma...and it seems relevant to the overall questions of at least authenticity, continuity, currency etc that are inherent to the broader discussion despite the fact its likely never gonna happen.
This is why Watterson's new book is at the front of every bookstore in the country, despite having nothing to do with C&H and being impossible to market. Despite the ongoing poison of franchises, people do still care about stories from authors they trust.
My issue was merely with the notion that something that was "finished" or ended previouslu could never be continued or elaborated on due to what I perceived as an obsession with the "sanctity" of a completed or discontinued creative work.
I don't know if this resonates at all but I feel the deep need to keep things open and I just can't thumb my nose when a series I enjoyed offers to continue that experience and pick back up where "we" last left off and that I so enjoyed prior.
I get attached to the franchise/show/whatever and crew and its hard to accept the notion that at some point they go away with any finality or that they will necessarily remain frozen in time where nobody can move forward or I don't feel like we can grow and abstractly interact anymore.
This probably sounds really stupid and maudlin but there you have it. I'm sorry and I'm glad we could get to this point :)
I do care about quality and fortunately with the smaller typical season size nowadays (8-10 episodes) it seems like that flows pretty naturally. Having to write like 30 episodes per season is insane , I'm glad how its going now although it necessarily results in longer turnarounnd times. But its worth the wait :)
As for being displeased with continued low quality publishing, yes, that would be dismaying. If it continued on and was really good, obviously that wouldn’t be but Watterson’s point was that the odds of that working out well were low, even if he tried to retain creative control. I understand from your other posts that quality isn’t important to you once you’ve started following the characters; fans of C&H are not like you.