Crave, Edge, and now the just-announced Spice are more or less one-to-one replications of the signal paths and controls of the Mother-32, DFAM, and Subharmonicon respectively.

I’m glad Behringer made them look completely different from the originals, though I’m still not quite sure how I feel about them cloning synths that have been on the market less than a decade (as opposed to their typical cloning of 30+ year-old synths). The compact format and addition of MIDI are meaningful changes, at least, and there is something to be said for making the entire trio accessible for about the price of one of the Moogs.