And just to add to the "everything is a copy of a copy": the French New Wave was a reaction to Hollywood itself. Godard and Truffaut were infatuated with genre studio pictures, and most of their best work was a result of their passionate desire to tell Hollywood style stories. They told them with the resources available to them, which gave their films a particular aesthetic. You could call that aesthetic "enthusiastic budgetary disregard." Check out Shoot the Piano Player to see what I mean.