And that is the main gatekeeping mechanism that keeps so many talented young writers, actors, cinematographers, etc. out of the game or working for pennies on the dollar as assistants.

It’s great when you’re in but if you don’t have the connections to get in you can find yourself on the outs for years.

If a SWE guild can find a way to eliminate the nepotism and create a meritocratic way to get into a guild…