Re:The contagious visual blandness of Netflix
by bee_rider on Sunday January 22, 2023 @12:59PM
(#34480210)
Higher refresh rate is objectively an improvement in the sense that it is definitely the case that there are shots that would look like a stuttery messy in 24fps, which they can pull off in 48fps. I mean they can pan twice as fast, clearly!
But 24fps restricts the director to certain types of shots, and I think the statement of preference for 24fps is mostly a result of that. Scenes where the camera is mostly still are the ones that focus on the actors and their acting. This is well known enough, I think, that it is basically an implicit statement of preference toward the acting and shot-framing aspects, and away from the technology/action/sfx aspects of film-making.
The former focus is generally seen as more prestigious and artistic so it isn’t surprising that there’s a subset of the population that prefers it. It also isn’t that surprising that that population is over-represented in the movie-discussion space. However it seems that the latter group buys more tickets!
But 24fps restricts the director to certain types of shots, and I think the statement of preference for 24fps is mostly a result of that. Scenes where the camera is mostly still are the ones that focus on the actors and their acting. This is well known enough, I think, that it is basically an implicit statement of preference toward the acting and shot-framing aspects, and away from the technology/action/sfx aspects of film-making.
The former focus is generally seen as more prestigious and artistic so it isn’t surprising that there’s a subset of the population that prefers it. It also isn’t that surprising that that population is over-represented in the movie-discussion space. However it seems that the latter group buys more tickets!