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Re:Guitar Effects Guidebook, Vol. 20 [pdf] by jimnotgym on Saturday January 07, 2023 @03:01PM (#34292040)
In my limited experience(and I haven't tried the expensive stuff like Kemper or Neural dsp), the difference is most apparent to the player in the way amp and effects react to playing dynamics. For a blues player sat 'on the edge of overdrive' the effect of injecting emotion into ones playing comes through the amp in a way I couldn't get with a digital amp. This the affects the players response. I feel like a million dollars through my Fender Twin. I close my eyes and channel my Stevie Ray. It didn't happen to me through a Boss Katana. If you were paying to listen to me (as if), you would get better vfm from the tube amp.

If I played metal, or was backing a pop group, one pedal di'd to the desk sounds like the dream

Re:Guitar Effects Guidebook, Vol. 20 [pdf] by neoromantique on Saturday January 07, 2023 @04:39PM (#34293143)
I ditched my amps for Neural DSP VST' and I play somewhat similar stuff. I recommend trying them out, especially "Tone King Imperial MKII" (there's a free trial available).
Re:Guitar Effects Guidebook, Vol. 20 [pdf] by jimnotgym on Saturday January 07, 2023 @04:48PM (#34293241)
That is really interesting. Can I ask a couple of things? What do you do for monitoring? What about amp induced sustain, do you lose that?
Re:Guitar Effects Guidebook, Vol. 20 [pdf] by neoromantique on Sunday January 08, 2023 @06:24AM (#34298175)
>What do you do for monitoring?

I don't play live so for me it isn't an issue, I just have set of monitor speakers to play on.

>amp induced sustain

As in Feedback? This too is applicable primarily for live setting, but I don't know how well it'd work as I haven't tried it.