As a photographer, I disagree on all those fronts. As a photographer who likes to edit their photos with surrealist elements that can't be photographed - such as portals to another dimension, aliens, or anime characters - I'm doubly mad that the art I'm creating is suddenly not considered art because I'm using an AI to generate art instead of stealing the art because the digital mashup scene ,
pedants can piss on us and tell us that 'the molecular structure of piss and rain is basically the exact same thing why are you mad lmao' but the effects of this unapologetic data scraping are already becoming clear. professional artists are simply removing their works from the public facing web. communities based around collaboration and shared knowledge are darkening at an alarming rate.
Kickstarter has always been about getting money to artists to make stuff. They also happen to be synonymous with "crowdfunding" because they were the first to make it work, once that took off as a concept and KS to see a lot of gadget campaigns they started cracking down on those because that wasn't what the people running Kickstarter wanted to bring into the world. Eventually Kickstarter came to a point where they decided to make this explicit in the rules of the company, rather than become a heartless corporate machine motivated solely by whatever increases shareholder profit in the coming financial quarter:
"Kickstarter’s mission is to help bring creative projects to life. We measure our success as a company by how well we achieve that mission, not by the size of our profits. That’s why we reincorporated Kickstarter as a Benefit Corporation in 2015." - https://www.kickstarter.com/charter
Deciding to kill this campaign is right in line with point 1D of their charter: "Kickstarter will engage beyond its walls with the greater issues and conversations affecting artists and creators." And with 4a: "Kickstarter will always support, serve, and champion artists and creators, especially those working in less commercial areas." Kickstarter's a machine made to fill the gap in public art funding left by the gutting of the NEA, not an "objective and neutral platform" that will happily help you build obviously evil things as long as they get their cut of the money.