https://digital-photography-school.com/wp-content/uploads/20...
Less obnoxious tone mapping that compresses shadows and highlights is a more modern trend, I'd say post-2012. It's basically done by every cell phone today when shooting a high-contrast scene.
Yeah, it's a problem. I shoot iPhone in RAW to back that off, or Halide RAW if it really ticks me off.
// Disclosure: Like most everyone, my top community ranked Flickr photos were heavily HDR'd, such as this one that hit #1 on Explore on 2006-08-17: https://live.staticflickr.com/60/216486412_0e3542fb85_k.jpg
The angle is a personal choice, though I think I agree that the mirroring angles of the two bridges was more interesting than having the horizon straightened. But the final "Tone Curve Corrected" turned a fairly nice image into a typical HDR-ruined photo, where the eye can't focus anywhere because all the colors have the same value.
To add some praise with the criticism, I thought the explorations of light white the photos of the wife were well done. Pointing the rear light at the subject's back to create that subtle halo is nice and I had not considered it.
Great use of examples, except for one: kid on bridge.
> At the same time, it must be said that color and tone can be what separates a mediocre photograph from a memorable one. To illustrate, let's look at the potential evolution of this vacation shot deliberately chosen for its mediocrity...
Then the dynamism is removed by 'correcting' the dutch angle to horizon, the surprisingly good color balance is skewed off, and the whole thing gets that circa mid-2000s HDR look from Flickr and Shutterfly and the like where every photo got tone-mapped.
Underwhelming of an end result, especially compared to the later color and tone examples (e.g. kitchen superhero).