Interesting. While I'm not able to articulate these things I do feel like there is a certain visual monotony to much of the original content on not just Netflix. You mentioned color correction, isn't that related to saturation that the author mentioned in the article? Doesn't original content all have their own production teams though i.e they are not in-house Netflix production? If that's the case wouldn't be unusual for all these independent teams to produce very similarly lit, shot and color-corrected content?