Re:Approved Cameras
by tshaddox on Sunday January 09, 2022 @03:23PM
(#29866965)
I get it. I’m asking what dynamic range you need for the completed production, and how much additional headroom you need when recording. I don’t think you normally would need 96 dB for the completed production, because that would be very impractical to listen to.
[ Parent
| on HN ]
16 bit certainly suffices as a delivery format. Many listening environments provide far less dynamic range (e.g. cars) and environments where the lowest level details aren't buried in the ambient noise floor are going to be few and far between. Even though it is possible to encode information below the noise floor in practice information that far down isn't going to be perceptible. (A practical definition of "perceptible" might be "able to be distinguished in an ABX test by a trained listener".)
As for how much safety margin is "enough" during initial capture... We're looking at a stark choice between either 2 or 3 bytes per sample. 2 bytes seems to be borderline, while 3 bytes seems to be plenty. It would be hard to quantify a safety margin more precisely than that.