You also have to control the ambient lighting around the TV which can be a pain in the ass.
If directors want movies to be seen, they should consider the home viewing environment. Just as the article says many films consider the home sound environment and mixing for non-pristine environments.
The entire battle of winterfell was just mush.
Needless to say nowTV get no money from me.
I'm sure it would have looked fine if it was streaming at 20mbit.
In the UK, the DPP sets contribution bitrates for close-to-tx programs* HD are 45mbit h264 or 60mbit mpeg2 for live contribution, if you have to compress it (clearly 1.5gbit is preferred), and for UHD I think it's 90Mbit h265. Those bitrates are set to assume another compression layer, but I suspect if that episode had gone out on say BBC One HD it would have been running at 15mbit+ for the entire time.
* Game of Thrones I suspect would be classed as a close-to-tx delviery to reduce chances of leaks - certainly I know a broadcaster in Austrialia was receiving it on an NTT decoder over an MPLS from their LA office rather than as a file)
>For me-- I rarely watch movies without subtitles nowadays; can't understand half the dialog. try enabling dynamic range compression on your TV/Sound Receiver. Many movies are mastered for Cinema, which means voices are whsiper quiet and other sounds are loud af, this compresses it down to a more reasonable range for a home setup.