News for hackers. Stuff that matters.
Re:Stereo Gear in the 1970s by PaulHoule on Tuesday November 09, 2021 @10:56PM (#29170905)
I got large numbers of 1970s garage-sale speakers, hooked them up to a modern multichannel home theater receiver and add a pair of powered subwoofers. I matched the stereo pairs but figured the room correction can handle the difference between the backs and the fronts. My center is a ridiculous speaker you'd expect to see on the stage at a live music bar that I recovered from an abandoned building and replaced the crossover.

It kicks ass!

If you compare 128 kbps MP3 files to a CD the difference is night and day. 320 kbps MP3 is transparent, 192 kbps is not bad for most recordings. As I am writing this I am working on a python script that recompresses FLAC files from my music server to put on a USB stick for the car or for my Garmin watch. Right now the target is 192 kbps AAC for the car and the high end of the spectral band replication range (maybe 64-96 kbps) for the watch.

Re:Stereo Gear in the 1970s by klodolph on Wednesday November 10, 2021 @06:11PM (#29182243)
The 1970s is before the era when manufacturers really focused on trying to get big sound out of little speakers. In the 1970s, if you wanted big sound, you got big speakers! Modern speakers are often (not always) designed to be small and inefficient, because you can always just pump more power into them... modern amplifiers are so efficient that you can just throw energy away like that.

The old speakers I've heard are not remotely flat. But they do sound big, and fun, and maybe you can just EQ out the speakers with a modern receiver's room correction.

Re:Stereo Gear in the 1970s by bigiain on Thursday November 11, 2021 @01:13AM (#29184985)
I have a pair of Boston Acoustics CR95s in my lounge room. I used Room EQ Wizard and a UMik-1 and a MiniDSP to measure/tune them. They came out so close to flat themselves that the only thing the MiniDSP map ended up doing was bringing in a little bit of subwoofer under about 45Hz to prop the very bottom end up.

The sound beautiful, at least to my old and abused ears, for both music and movies. (I use them as stern + a su=ingle sub for music, and as part of a 5.1 system with a centre speaker and rears for movies).

They aren't quite 70's old. But they were a long way from new when I got em off eBay a decade or more back.

I also still have the first speakers and amps I ever bought, back in 1988. Boston Acoustics A60MkIIs and a NAD 1100/2200 opre/power amp pair. This speakers have has 3 or 4 new drivers (all due to party abuse) and the caps in the crossovers replaced every decade or so, and the amps have had all the electrolytics replaced a couple for times. They still provide great sound in my dining room.

(And I've become a bit af a NAD/Boston Acoustics brand-tragic. I end up drunk eBaying both brands every now and then, I have a pair of A40 speakers on my desk here, The lounge room home theatre amp is a NAD 70W per channel amp. And I've got most of a setup of a pair of A40s, a NAD 3020, and an Apple Airport Express together as a birthday present for a friend in a few weeks...)

Re:Stereo Gear in the 1970s by simonblack on Thursday November 11, 2021 @03:50AM (#29185884)
KEF Concertos. I literally cried when I blew them up for the last time, and I could no longer get replacement parts for them.

I met a guy who had a pair about 10 years later. I offered him double what he had paid for them new. He wouldn't let them go, either.

Re:Stereo Gear in the 1970s by musick on Thursday November 11, 2021 @12:18AM (#29184688)
How did you set up the room correction?
Re:Stereo Gear in the 1970s by bigiain on Thursday November 11, 2021 @01:16AM (#29184999)
I can't speak for them, but I use a calibrated microphone and programmable DSPs from here: https://www.minidsp.com

Combined with this software: https://www.roomeqwizard.com