Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by hungryforcodes on Friday October 22, 2021 @02:01AM
(#28954111)
Yeah, I know what you mean -- I guess its for film geeks.
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Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by dmitriid on Friday October 22, 2021 @03:11AM
(#28954437)
It's 1964. No CGI. No drones. No lightweight cameras.
And yet, today, such a shot is still as impossible and very rarely done.
Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by eXpl0it3r on Friday October 22, 2021 @05:03AM
(#28955089)
Why is it so impossible? I get that cinema cameras are a bit heavier to handle, but the trickiest part seem to be the hand-offs between walking backwards, pulling the camera up and receiving the camera on the upper floor.
It's a complex shot and there isn't really that big of pay off beyond having done the shot, but it's by no means "impossible", or am I missing something here?
Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by dmitriid on Friday October 22, 2021 @10:57AM
(#28958054)
> Why is it so impossible
Because it requires imagination. And then careful planning. And then execution.
In the shot, there is a crowd in the streets, there are people on balconies and in the rooms acting in concert with the camera etc.
These days this is offloaded to overworked underpaid CGI artists at a second production unit.
Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by kkiinnpptt on Friday October 22, 2021 @09:26AM
(#28956914)
And the coordination with the huge crowd.
Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by MikusR on Friday October 22, 2021 @06:05AM
(#28955402)
Movie was filmed on lightweight handheld camera.
Re:The 'impossible' crane shot from Soy Cuba (1964) [video]
by kwhitefoot on Friday October 22, 2021 @05:08AM
(#28955106)
You surely don't have to be a film buff to appreciate the skill and artistry that went into that shot. I'm not at all a film buff but to me it is a work of art on par with other works of art regardless of medium.