This is true. We were shown Meshes of the Afternoon in our foundational filmmaking courses at AAU. Her use of choreography in combination of camera placement created a truly remarkable effect on the viewer. An example is her running up the stairs swaying back and forth with a slight tilt of the camera which made it seem as though the abode was moving like a ship on the open sea. Techniques like this she poetically used continue to inspire film makers today.