> GP made it seem like whites being a big part of current techno scene is bad.

I don't see that; I don't see any "guilt", using your word. Can you point it out? People have other motives.

My impression is that you brought your own (reactionary?) bias to it, using a reactionary talking point whether it really applies or not. Why bring down someone who is trying to expand their experiences, knowledge, and community, in a world where racism is common and leads to many people being excluded. We should work to include - that's great, creative, positive; there's no reason it needs to be motivated by guilt.

This confuses the heck out of me. I saw my comment as the more inclusive.

> using a reactionary talking point

???

Probably your first time discussing these things on the Internet!

im gonna start a music project called sounding fun at techno parties

This article is about techno specifically, not electronic music. There's a lot of electronic music that has nothing to do with techno - techno is a genre, like chiptune, trance or dubstep.

> As part of Beatportal’s new series on the history of electronic dance music, Marcus Barnes explores the rich history of techno, from the 1970s right through to today.

it's a series about electronic music history.