I am an amateur. I have a color card but it only gets used in very complex lighting situation when I need some help understanding what the lighting was to resolve some color issues. I may use SpyderCube when working with indoor light that I do not control.
My understanding of is that brain works in a different way when interpreting moving and still images. In a moving image the differences from reality are much more easily picked up by the brain and so color or image distortion problems stand out much more.
Also, I think, brain is trained to some particular standards of how the moving image is shot and processed. We can easily recognize "movie" or "television" shooting and processing methods and this is starkly visible when somebody is messing with it. For example, The Fellowship of The Ring looked very strange to me the first time I watched it because of how smooth it was due to higher framerate, but at the same time I did not find it out of place for television.
This is basically a scene-referred workflow, but without any standardization (like ACES). Because all the files conform to the same transfer function, you can grade ("create a LR preset", which is just like grading just worse UX) once to create a look and then apply that look to all footage ("photographies") at once to get a very consistent look. I've said it before, I'll say it again, the movie industry has this figured out, they got standards (ACES) and tooling for this. (And, movie tools are far, far superior to any photo tool I've seen yet when it comes to color. All the photo editing tools seem to be stuck in some kind of moronic hellhole were half of them get disqualified from the start for being destructive editors and the other half has bad UX and is basically limited to an operational vocabulary straight from a darkroom).
Apart from stuff like this there are some scenarios in which RAW might still result in a better overall IQ but the JPEG engines in cameras are really, really good and for practically any scene they're fine, and even for most very high contrast scenes (like shadow + oncoming sun) they'll still produce fine images.