Re:Philip Glass: My problem is people don’t believe I write ...
by natechols on Tuesday December 08, 2020 @11:41AM
(#25347653)
Einstein On The Beach is definitely on the extreme end. On the other hand, Itaipu (my personal favorite) and many of his symphonies are about as close to mainstream as modern "classical music" usually gets.
Re:Philip Glass: My problem is people don’t believe I write ...
by PaulDavisThe1st on Tuesday December 08, 2020 @12:00PM
(#25347957)
Bwahahahah. You think EotB is "on the extreme end". You've never heard "Music in Similar Motion", I assume?
Re:Philip Glass: My problem is people don’t believe I write ...
by natechols on Tuesday December 08, 2020 @12:03PM
(#25348006)
I'll add that to my playlist, but I'd argue that the difference between 12 minutes and 5 hours counts for a lot! (Although I guess maybe opera audiences are primed for sitting in place for that long? I just don't have the attention span for anything longer than Figaro.)
Re:Philip Glass: My problem is people don’t believe I write ...
by PaulDavisThe1st on Tuesday December 08, 2020 @12:37PM
(#25348590)
Scratch that then. Try out "Music in 12 Parts", which is about 4 hours long :)
Glass' early minimalism makes EotB seem almost conventional by comparison, at least to me.
Glass’s music is maybe not consistently on the edge, but his avant-garde reputation comes from works like the “opera” Einstein On the Beach, which is a formidable listening and performing experience, even if it’s heavily diatonic and based on familiar major/minor modalities. It is a sui generis approach to musical structure and musical theater.